This dissertation argues that Homer's Iliad depicts the Trojan landscape as participant in or even victim of the Trojan War. This representation alludes to extra-Homeric accounts of the origins of the Trojan War in which Zeus plans the war to relieve the earth of the burden of human overpopulation. In these myths, overpopulation is the result of struggle among the gods for divine kingship. Through this allusion, the Iliad places itself within a framework of theogonic myth, depicting the Trojan War as an essential step in separating the world of gods and the world of men, and making Zeus’ position as the father of gods and men stable and secure. The Introduction covers the mythological background to which the Iliad alludes through an examination of extra-Homeric accounts of the Trojan War’s origins. Chapter One analyzes a pair of similes at Iliad 2.780-85 that compare the Akhaian army to Typhoeus, suggesting that the Trojan War is a conflict similar to Typhoeus’ attempt to usurp Zeus’ position as king of gods and men. Chapter Two demonstrates how Trojan characters are closely linked with the landscape in the poem’s first extended battle scene (4.422-6.35); the deaths of these men are a symbolic killing of the land they defend. Chapter Three discusses the aristeia of Diomedes in Book 5, where his confrontations with Aphrodite, Ares, and Apollo illustrate the heroic tendency to disrespect the status difference between gods and men. Athena’s authorization of Diomedes’ actions reveals the existence of strife among the Olympian gods, which threatens to destabilize the divine hierarchy. Chapter Four examines the Akhaian wall whose eventual destruction is recounted at the beginning of Book 12. The wall symbolizes human impiety and its destruction is a figurative fulfillment of Zeus’ plan to relieve the earth of the burden of unruly humanity. Finally, Chapter Five treats the flußkampf and Theomachy of Books 20 and 21, episodes adapting scenes of divine combat typically associated with the struggle for divine kingship. In the Iliad, these scenes show that Zeus’ power is unassailable. / text

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L'objectiu d'aquesta tesi és l'estudi de tot un seguit d'escultures votives trobades dins el santuari de Cibele de Ostia, descobert a finals del segle passat i excavat amb extensió just abans de la Segona Guerra Mundial. Tanmateix, el nostre objectiu no era el de presentar, únicament, un catàleg de l'estatuària sinó, especialment, la seva funció i relació dins el santuari com un element a considerar per a l'estudi del culte a Cibele i més concretament a Atis. / The aim of this thesis is the study of a series of votive sculptures found in the Cybele sanctuary, in Ostia, discovered in the late nineteenth centuy and extensively excavated just before World War Two. Nevertheless, our aim was not just merely presenting a catalogue of the sculptures, but, primarily, stablishing their function and relation within the sanctuary, as an element to take into account for the study of the worship of Cybele and, specifically, of Attys.

This thesis seeks to explore the implications of a parenetic reading of the Book of Revelation as a whole, rather than merely of the seven messages in which this is more commonly regarded as the primary purpose of the text. It examines the validity of this approach in relation to the book�s claims about its purpose in the original communication event of which its text is a witness and its effectiveness in addressing hermeneutical issues in key passages of the book and argues that attention to the function of parenesis facilitates readings of Revelation which connect more directly with the intention of the book free from the need to decipher obscure coded references to past or future history. Drawing from the text of the Apocalypse a twofold hermeneutical strategy is developed and exemplified by application to key passages of the book. The first aspect of this reading strategy is focussed on the proposed parenetic nature of the book. In an examination of Revelation�s introductory and concluding passages it is argued that as a coherent unity they form a frame around the book. This frame serves to establish the perspective from which the whole book may be read. It does so by giving rise to the expectation that the whole book contains parenetic exhortation to faithfulness in light of the imminent parousia. Consequently this thesis proceeds to interpret the Book of Revelation by focussing primarily on how the various images in the book�s body (4:1-22:9) as well as the explicit parenesis in the seven messages serve to communicate this parenetic exhortation to the original addressees. The second aspect of interpretation seeks to facilitate scholarly analysis of the parenesis expected to be contained in Revelation�s body with systematic regard for the individual situation of each of the addressees of the book, as documented in the comparatively accessible seven messages. To this end an intra-textual hermeneutic is employed. It builds on an examination of the links between the various parts of Revelation which is part of the examination of both the book�s frame and the seven messages. This intra-textual reading utilizes the many links between the seven messages and Revelation�s body by allowing them to play a determinative role in the investigation of an image�s parenetic implications. In order to further explore the validity of a parentic reading, the intra-textual principle is applied to two central parts of Revelation�s body, the Babylon vision (Rev 17-19:3) and the seal, trumpet and bowl visions (Rev 6, 8, 9, 11:15-19, 15, 16). In this reading, the Babylon vision is read not as a general critique of the church�s pagan environment but as a divine commentary on the concrete threats and temptations with which the churches of the seven messages were confronted. In God�s judgment of Babylon those who suffer under her violence against Christians are promised vindication and are thus encouraged to maintain their faithful witness as citizens of the New Jerusalem. The citizens of Babylon however are exhorted to repent and leave her behind, becoming citizens of the New Jerusalem and thus escaping Babylon�s demise. The seal, trumpet and bowl visions are interpreted as illustrating the dividing line between what constitutes faithful witness to Christ on the one hand and heed to satanic deception on the other. Faithfulness even to the point of death is expected of the followers of the Lamb; the inhabitants of the earth are exhorted to repent from their affiliation with the beast and give glory to God. Thus such an intra-textual reading of Revelation as parenesis offers a strategy for reading the book in a way that is relevant for the Christian church beyond the limits of end-time phantasms on the one hand and mere historic interest on the other hand and so might facilitate the emergence of the message of the book from the obscurity in which it appears to be hidden to a significant proportion of its contemporary readers.

Thesis (Ph. D.)--University of Adelaide, Dept. of Classics, 1989? / Vol. 2. consists of 64 leaves of mounted photographs. Plate 1 is Plan of I 11, 6-7, by Barry Rowney of Dept. of Architecture, University of Adelaide. Includes bibliographical references (leaves 276-291).

Thesis (M.A.)--University of Missouri-Columbia, 2008. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 22, 2008) Includes bibliographical references.

Thesis (Ph. D.)--Princeton University, 1997. / Typescript. Abstract. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 382-385).

Thesis (Ph. D.)--University of Zurich, 1997. / Includes glossary. Includes bibliographical references (p. [925]-942) and index.

Thesis (Ph. D.)--Princeton University, 1997. / Typescript. Abstract. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 382-385).