<p>All languages have words that are considered taboo – words that are not supposed to be said or used. Taboo words, or swearwords, can be used in many different ways and they can have different meanings depending on what context they appear in. Another aspect of taboo words is the euphemisms that are used in order to avoid obscene speech. This paper will focus on x-words, words like the f-word or the c-word, which replace the words fuck or cunt, but as the study will show they also have other meanings and usages.</p><p>The purpose of this paper is also to investigate the significance of taboo words and their usage in English, as well as research on how they are used, or not used, in media. The aim is to examine how x-words are used in the British newspapers the Guardian and the Observer by using corpus searches.</p><p>The results show that there are several ways of using x-words, and that using them in order to show that a word either is taboo, or has become taboo in a certain context, is the most common way. It is also clear that x-words can represent many different words, and not only words that are generally considered taboo.</p>

Abstract: In this thesis, the general use and specific instances of F-words in modern music lyrics have been studied based on the corpora extracted from songs in Billboard year-end charts from 2013 to 2022, which represented the most popular songs in English-speaking countries. By screening the actual meaning and contexts of those F-words in the lyrics, I extracted those special instances in which F-words were used to express rebellious feelings to challenge social norms and fight against authority powers. The theme of those rebellious F-words was first studied by the quantitative analysis by years, which shows a clear time dependence associated with the social and political environments. Notably, there was a significant increase in the use of rebellious F-words in lyrics during the intense social and political crises of 2019-2020. A comparative investigation was then carried out across four distinct music genres: rap, rock, R&amp;B, and pop. Among these, rap music stood out with a higher prevalence of rebellious F-words. However, the impact of these words was diminished due to their frequent occurrence, resulting in a reduced level of audience reaction and shock value. The following textual analysis of grammatical features and literary devices associated with those F-words provided evidence that more assertive and aggressive expressions, such as imperative sentences, were favored when incorporating rebellious F-words in the lyrics. This study provides a comprehensive overview of how modern pop music expresses and conveys rebellious power through the use of profanity.

In the chapters of my thesis, I explore how "soft" consciousness-raising novels of the first, second and third-waves of feminism practice underground feminism by covertly exposing women's socio-political issues outside of the confines of feminist rhetoric. In moving away from the negative connotations of political language, the authors enable the education of female audiences otherwise out of reach. Working from and extending on various theorists, I construct a theoretical model for what I term underground feminism. Running on the principal of conducting feminist activism without using feminist rhetoric, underground feminism challenges the notion that "subtle" feminism means weak feminism. In illustrating how underground feminism works in novels and in physical activism, I hope to encourage the recognition of the political utility of women's writings that do not fit the strict archetypes of feminist authorship. Analyzing the effectiveness of covert feminist conversion narratives, I discuss one soft consciousness-raising novel for each wave. The novels - Sarah Grand's The Heavenly Twins (1893), Dorothy Bryant's Ella Price's Journal (1972), and Helen Fielding's Bridget Jones's Diary (1996) - accused by scholars of employing weak feminist politics, are investigated as feminist literature that disidentifies with the feminist label with the possibility of facilitating a wide spread conversion process in "would be" feminists. After analyzing how the novels place women's issues at the center of discourse by discussing female education, women's voice, and narrative control, I consider how the underground feminism implicit in the texts extends to activism outside of literature. I also end by arguing that these novels enable a more intricate conversation about women's issues in which the voices of both self-identified and non-identified feminists are recognized.

All languages have words that are considered taboo – words that are not supposed to be said or used. Taboo words, or swearwords, can be used in many different ways and they can have different meanings depending on what context they appear in. Another aspect of taboo words is the euphemisms that are used in order to avoid obscene speech. This paper will focus on x-words, words like the f-word or the c-word, which replace the words fuck or cunt, but as the study will show they also have other meanings and usages. The purpose of this paper is also to investigate the significance of taboo words and their usage in English, as well as research on how they are used, or not used, in media. The aim is to examine how x-words are used in the British newspapers the Guardian and the Observer by using corpus searches. The results show that there are several ways of using x-words, and that using them in order to show that a word either is taboo, or has become taboo in a certain context, is the most common way. It is also clear that x-words can represent many different words, and not only words that are generally considered taboo.