Thesis (M.S.)--University of Wisconsin--Madison, 1964. / eContent provider-neutral record in process. Description based on print version record. Bibliography: l. 101.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1941. / Typescript. Includes abstract and vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 275-278).

Exegesis (MA--Art and Design) -- AUT University, 2007. / Appendix 4 contains 2 DVDs. Includes bibliographical references. Also held in print (55 leaves : col. ill. ; 22 x 30 cm. + 2 DVDs) in City Campus Collection (T 709.93 FIN)

Thesis (Ph. D.)--University of Wisconsin--Madison, 1970. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (M.A.), English, Creative Writing--University of Central Oklahoma, 2008. / Includes bibliographical references (leaf 251).

No description available.

The Pink Papers is a collection of three short stories and a novel in progress consisting of four chapters. Each piece is a work of original fiction. The preface addresses the female writer and the female voice in fiction. "Broken Clock" and "Pink Paper" are the stories of two girls coping with endometriosis. "Normal Capacity" looks at the loss of a dream through the eyes of a first-year law student. The novel in progress, titled Blanchard, OK, is set in a rural farming town in Oklahoma. The novel tells the stories of 24-year-old Robin, her Aunt Paula, and Paula's boyfriend, Sam.

The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on December 29, 2009). Thesis advisor: Jan Colbert. Includes bibliographical references.

The purpose of this Creative Project was to examine several aspects of color and to apply the results to a series of watercolor and oil paintings of rural subject matter. The process involved several steps: literature research, a series of photographs, and pigment color analysis. To begin with, landscape painters from the seventeenth century to the present were researched for their use of color in portraying the illusion of light and form on a two dimensional surface. A series of photographs was taken over a one year period. These were used to record changes of color on objects due to seasonal and atmospheric differences. Finally, watercolor pigments were analyzed for the range of mixing possibilities they could create. The findings from these three steps were applied in a series of eleven paintings which portrayed the illusion of light and solid form through the use of color. / Department of Art

Thesis (P.H.D.)--University of Iowa, 1930. / On cover: University of Iowa studies. First series no. 193. Without thesis note. Bibliography: p. 125-126.