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Hacia el dinamismo, la creatividad y la feminización de la divinidad: Los villancicos asuncionistas de sor Juana Inés de la CruzShewey, Janice Ann 08 April 2010 (has links)
This M.A. thesis consists of a close-textual reading of Sor Juana Inés de la Cruz’s four sets of villancicos dedicated to the Assumption of the Virgin Mary (1676, 1679, 1685 and 1690), with a special focus on Sor Juana’s marianism and a contrast with Juan Correa’s painting, La Asunción de la Virgen (1689). This thesis will cover Sor Juana’s innovation in her representation of Mary as a model of femininity, Mary’s creative abilities, the crowning of Mary, Mary as a dwelling for God, Sor Juana’s feminization of the divine, Mary’s Assumption itself, masculine aspects and professions attributed to Mary, and Sor Juana’s identification with the Virgen.
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