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Doctoral thesis recital (composition)Passos, Luis Otavio Teixeira 14 June 2012 (has links)
Prelude -- Ray of lights -- Convergencias -- One art -- Dreams. / text
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Doctoral thesis recital (flute)Minaux, Francois 11 July 2012 (has links)
Foliage op. 8 for flute and piano / Daniel Carr -- Sonata in A minor "Arpeggione" for flute and piano / Franz Schubert -- Around, awry for flute doubling picc. and organ / Ethan F. Greene -- Fantasiestucke op. 73 for alto flute and piano / Robert Schumann -- Sonata in A minor for flute and piano / Cesar Franck. / text
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Argentine music for flute with the employment of extended techniques: an analysis of selected works by Eduardo Bértola and Marcelo ToledoGariazzo, Mariana Stratta 28 August 2008 (has links)
Not available / text
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Argentine music for flute with the employment of extended techniques : an analysis of selected works by Eduardo Bértola and Marcelo ToledoGariazzo, Mariana Stratta, 1972- 09 August 2011 (has links)
Not available / text
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The history and practice of multiple-pitch sonorities on the flute and french horn in Western art music traditionMoller, Polly Louise Springhorn. January 1994 (has links)
Thesis (M.A.)--University of California, Santa Cruz, 1994. / Typescript. Includes bibliographical references (leaves 152-155).
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Flute phrasing : structurally meaningful interpretation of slursHinch, John de Courteille 04 July 2007 (has links)
Please read the abstract in the section 00front of this document / Dissertation (MMus (Musicology))--University of Pretoria, 2007. / Music / unrestricted
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Flute Repertoire from Japan: An Analysis of Twentieth-Century Flute Sonatas by Ikuma Dan, Hikaru Hayashi, and Akira TambaGallagher, Daniel Ryan 04 September 2019 (has links)
No description available.
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Musique de Scène pour Les Chansons de Bilitis by Claude Debussy on Poems by Pierre Louÿs a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, S. Prokofiev, J. Francaix, W. Piston, L. v. Beethoven, and OthersYoungblood, Pamela Jackson 05 1900 (has links)
The incidental music for Chansons de Bilitis is little known and rarely performed. However, the relegation of this work to the realms of obscurity is highly unjustified. Chansons de Bilitis requires an unusual combination of instruments: two flutes, two harps, and celesta in addition to a reciter. The work is a theater piece in the tradition of melodrama, with spoken text and background music in alternation. Despite the rather unique nature of the work, many of the melodic, textural, and orchestrational devices for which Debussy is noted are evident. The music is throughcomposed; each movement mirrors and emphasizes the meaning and mood of the accompanying poem. Because of the fragmentary nature of the music and its rather subordinate role in the total theater work, the primary emphasis in gaining an appreciation of the value of the work lies in an investigation of its historical background.
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The Weinzweig School: The flute works of Harry Freedman, Harry Somers, R. Murray Schafer, Srul Irving Glick and Robert AitkenBrimson Cooper, Jennifer 15 October 2012 (has links)
No description available.
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A survey of contemporary flute solo literature with analyses of representative compositionsMellott, George K., January 1964 (has links)
Thesis (Ph. D.)--State University of Iowa, 1964. / Includes bibliographical references (leaves 373-380).
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