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Das Verhältnis von David Garrick's "Every man in his humour" zu dem gleichnamigen Lustpiel Ben Jonson'sKrämer, Franz Georg Johannes, January 1903 (has links)
Inaug.-dis.--Halle. / Lebenslauf.
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Ben Jonson's lustspiel "Every man in his humour" und die gleichnamige bearbeitungMaass, Heinrich. January 1903 (has links)
Inaug.-diss.--Rostock.
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Das Verhältnis von David Garrick's "Every man in his humour" zu dem gleichnamigen Lustpiel Ben Jonson'sKrämer, Franz Georg Johannes, January 1903 (has links)
Inaug.-dis.--Halle. / Lebenslauf.
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Thomas Otway's "The history and fall of Gaius Marius" und Garrick's "Romeo and Juliet" in ihrem verhältnis zu Shakespeare's "Romeo and Juliet" und den übrigen quellen ... von Willy Schramm ...Schramm, Willy. Otway, Thomas, January 1898 (has links)
Inaug.-Diss.--Rostock.
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Das Verhältnis von Garrick's "The fairies" zu Shakespeare's "A midsummer night's dream"Goerner, Wilhelm, January 1902 (has links)
Thesis--Halle-Wittenberg. / Vita. Includes bibliographical references.
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David Garrick homme de théâtre /Perrin, Michel. January 1978 (has links)
Thesis--Paris III, 1976. / Includes indexes. Includes bibliographical references (p. 1486-1629).
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Über das verhältnis von David Garricks 'Florizel and Perdita' zu Shakespeares 'The winters tale.'Schneider, Walter, January 1902 (has links)
Inaug.-diss.--Halle. / Vita.
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Über das verhältnis von David Garricks 'Florizel and Perdita' zu Shakespeares 'The winters tale.'Schneider, Walter, January 1902 (has links)
Inaug.-diss.--Halle. / Vita.
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Lacy's Sauny the Scot und Garrick's Catherine and Petruchio im verhältnis zu ihren quellen ...Weber, Franz. January 1901 (has links)
Inaug.-diss.--Rostock. / Includes bibliographical references.
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The Impact of the Acting of David Garrick and Sir Laurence Olivier : A Comparative AnalysisMaberry, David R. 08 1900 (has links)
Two men of genius who came from nowhere to break the rules were David Garrick in 1741 and Sir Laurence Olivier in 1937. These two men will be the major subjects of this thesis. Both Garrick and Olivier introduced new styles of acting to the theatre in Shakespearian plays.
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