Thesis--University of Florida. / Description based on print version record. Typescript. Vita. Includes bibliographical references (leaves 91-92).

Thesis--Wisconsin.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1959. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 154-158).

A double standard has permeated all of Indian society throughout its history. Persecution is part of everyday life though routinely ignored. This abuse of power has led to identity-based politics, which harms members of non-dominant groups. My work is an expression of my personal experiences within the social and cultural landscape of India. I externalize this embodied experience through text, video, and ambient sound creating an environment of the pressures of the expectations of others. The videos follow the cycles of my thought and open up an examination of culture and society. To enter the space is to enter a mindscape and see Indian society through the eyes of its own alienated citizenry.

Few theorems are known about planar graphs. For, example, Kuratowski proved that a graph is planar if and only if it has no subgraph homeomorphic to K₅ or K₃,₃. It has remained as a direct criterion for determining whether a graph is planar or not. Powerful as the theorem is, it is not always easy to apply. This leads us to try some practical methods to test a planar graph. In this thesis, we have an algorithm for finding an outer circuit for a simple connected planar graph. Then, we use this outer circuit to draw a straight line graph in the plane. The programme for this algorithm is written in FORTRAN for an IBM 360/67 Computer. / Science, Faculty of / Computer Science, Department of / Graduate

This conclusive study is based upon a project of a social awareness campaign designed to reduce screen time in older children and Millennials. This is achieved through the uses of all modern aspects of a campaign: posters, advertisements (social and print), as well as a trio of posters that explain the concept of the campaign. Lastly, this all pulls together with the intended use of both a microsite and mobile app.

An exploration by graphic means of selected South African iconography is the subject of this thesis. I have produced a collection of thirty-one silkscreen prints, which combine elements of the fine print and the street poster. The screen-prints have been mounted on board and presented in a box, accompanied by an illustrated dissertation. During the production of the printer I displayed a number of individual screen-prints, and later complete series, at various public locations (e.g. bus shelters, fences and walls of buildings) on the U.C.T. campus, in order to relate my working process to a direct public response. The whole collection of prints is ultimately envisaged as an exhibition on simple screens in a public place . The imagery in these prints is drawn from magazines and other mass publications, as well as from personal observation. My themes are based on aspects of South African popular culture and have been developed under eight different titles. The first five prints: OBSERVATIONS, can be seen as the visual parallel to a preface. Series One: ARTEFACTS, asserts the associative values of a well-known object when it is taken out of its context. Series Two: PROTOTYPES, links the quest for individuation with identification by means of uniform or dress. Series Three: INTERIORS, depicts environments that represent the concerns of the people who inhabit them. Series Four: MERE FACADES, portrays selected buildings which reveal aspects of the nature of the society they shelter. Series Five: AHEAD OF OUR TIME, focuses on outward appearance as a denominator of identity and on the resulting loss of individuality. Series Six: SUNNY SKIES, is a personal interpretation of some typical South African images (icons). Series Seven: MEMORABILIA, serves as a conclusion to the collection and is a personal homage to Joseph Cornell. This dissertation comprises a discussion of aspects of the practical work, concentrating on some elements of the historical background to my investigation; notes on my graphic methods and their implications; a documentary report on the display of the prints on the U.C.T. campus and an introduction to the prints.

Thesis (M.F.A.)--Rochester Institute of Technology, 1987. / Typescript. Includes bibliographical references (leaves 51-53).

These typographic and image based designs explore multiple components of design including: legibility, manipulation, communication, and conventionalism with an emphasis on information graphics. Drawing from influences of the Futurist designers and Dadaist typography, I take the mundane details of an object such as a baseball or car to create excessive amounts of visually stimulating graphics. Through this process of gathering detailed information, I take photographs, draw by hand and scan images to fully understand and portray an objects identity until I feel satisfied that the objects visual potential has been exhausted. These personal expressions are combined to form printed material and book designs. These works explore the experimental use of type and image montage to break the rules of graphic design while keeping some of the traditional aesthetics associated with this discipline. My love for detailed subject matter may be seen in my books, The Baseball and 1 (One) which include subject matter from my childhood interests such as rare 1/1 baseball cards.

Hybridity is the result when visual form, color or tools interact. While not every combination of multiple elements result in success, I believe creativity, intuition and serendipity determines the successful hybridity. This is the documentation of my journey to develop a personal definition of successful hybridity in graphic design.