This essay argues that Bill Konigsberg depicts the traumatic experience of being raped and the inner conflict of being a male rape survivor with harsh immediacy by implementing internal focalisation in his young adult novel The Music of What Happens (2019). Additionally, the essay argues that the novel is a useful teaching resource in the Swedish EFL classroom by discussing the pedagogical implementations. This essay conducts an analysis from a trauma theory perspective, allowing a closer scrutiny of how the protagonist is affected by trauma. Lastly, it is concluded that although broaching sexualized trauma in the EFL classroom can be triggering, the novel can in fact vicariously represent students who have undergone traumatic events and therefore validate their feelings.

Tato práce rozšiřuje nástroj ANaConDA pro dynamickou analýzu vícevláknových programů o možnost analyzovat také programy víceprocesové. Část práce se soustředí na popis nástroje ANaConDA a mechanismů, které pro monitorování využívá, a na jejich nutné úpravy vzhledem k rozdílům procesů a vláken. Tyto zahrnují nutnost složitějších mechanismů pro meziprocesovou komunikaci, nutnost překládat logické adresy na jiný jednoznačný identifikátor a monitorování obecných semaforů. Rozšíření pro monitorování procesů tyto problémy řeší za vývojáře analyzátorů, čímž velmi zjednodušuje jejich vývoj. Užitečnost rozšíření je ukázána na implementaci dvou analyzátorů pro detekci souběhu (AtomRace a FastTrack), které bylo dosud možné využít pouze na vícevláknové programy. Implementace algoritmu FastTrack využívá happens-before relaci pro obecné semafory, která byla také definována jako součást této práce. Experimenty s analyzátory na studentských projektech ukázaly, že nástroj ANaConDA je nyní schopen detekovat paralelní chyby i ve víceprocesových programech a může tak pomoci při vývoji další skupiny paralelních programů.

This thesis examines the writing of Wei An苇岸 (1960-1999), a contemporary Chinese nature writer, from an eco-critical perspective grounded in deep ecological view. Urged on by China’s environmental crisis and social problems, and influenced by Western literature and his own life experience, Wei An developed his own deep ecological life philosophy. He respected every creature’s intrinsic value, appreciated the beauty and wonders of nature, advocated the Land Ethic and practiced vegetarianism. He highly treasured the agrarian civilization and objected to modern industrialization, in which he saw very little of any value. Meanwhile, Wei An’s ideas contain questionable aspects like the exaggeration of the defects of modernization and idealization of rural living. Although filled with weak aspects, Wei An’s ecosophy is a faint but significant voice in contemporary Chinese literature and society, and reflects important changes happening in contemporary China.

This thesis examines the writing of Wei An苇岸 (1960-1999), a contemporary Chinese nature writer, from an eco-critical perspective grounded in deep ecological view. Urged on by China’s environmental crisis and social problems, and influenced by Western literature and his own life experience, Wei An developed his own deep ecological life philosophy. He respected every creature’s intrinsic value, appreciated the beauty and wonders of nature, advocated the Land Ethic and practiced vegetarianism. He highly treasured the agrarian civilization and objected to modern industrialization, in which he saw very little of any value. Meanwhile, Wei An’s ideas contain questionable aspects like the exaggeration of the defects of modernization and idealization of rural living. Although filled with weak aspects, Wei An’s ecosophy is a faint but significant voice in contemporary Chinese literature and society, and reflects important changes happening in contemporary China.