No description available.

Thèse (M.A.)--Université Laval, 1997. / Bibliogr.: f. xvii-xviii. Publié aussi en version électronique.

No description available.

Thesis (Ph. D.)--Ohio State University, 1933. / Includes vita. Includes bibliographical references (leaves 371-378). Available online via OhioLINK's ETD Center.

Thesis (M.S.)--University of Wisconsin--Madison, 1973. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (M.A.)--University of Wisconsin--Madison, 1970. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2008. / Source: Dissertation Abstracts International, Volume: 69-05, Section: A, page: 1592. Adviser: Reynold Tharp. Includes bibliographical references (leaves 126-129) Available on microfilm from Pro Quest Information and Learning.

Four folded maps in pocket.

Thèse (Ph.D.) -- Université de Montréal, 2004. / "Thèse présentée à la Faculté des études supérieures en vue de l'obtention du grade de Ph. D. en Littérature, option générale et comparée" Version électronique également disponible sur Internet.

"El vértigo horizontal: La novela urbana de la ciudad de México" ("Horizontal Vertigo: The Urban Novel of Mexico City") offers a reassessment of the urban novel of Mexico City of the last twenty years, with specific focus on two novels: Materia dispuesta, by Juan Villoro, and Los detectives salvajes, by Roberto Bolaño. Guided by the ground-breaking work of geographer David Harvey, and that of Ana María Alonso and Néstor García Canclini, I argue that these novelists shed light upon the processes that have led to the transformation of past and contemporary urban space in Mexico City, and point to what Harvey terms the "urbanization of consciousness" as a marker of late capitalism. This interdisciplinary approach helps illuminate the processes that are present in the contemporary capitalist city. Of capital importance is the incorporation of an analogical reading of the novels by Bolaño and Villoro, whereby I examine the nexus between physical urban space and its artistic representation by tracing the cartographic imaginary of the characters and narrators. Both Materia dispuesta and Los detectives salvajes constitute representative examples of the contested urban space of the nationalist project of post-revolutionary Mexico, and of the spatial practices of individuals as signifiers of social class.