My dissertation analyzes the development of the visual culture of the people known as the Gitksan, as witnessed through the creation of ‘Ksan, a tourist village located at present day Gitanmaax (Hazelton, B.C.). I demonstrate how the fields of ‘art’, ‘craft’ and ‘artifact’ come into play in a more nuanced understanding of the development of various sectors at this key tourist site. The focus of the dissertation includes the complex motives that led to the creation of ‘Ksan. I consider the interrelationship of its art, the school as well as its business practices. I offer new insights into the developmental advantages of governmental project funding, the selection of a teaching staff knowledgeable in the arts of the Gitksan, and the reasons that led to its dramatic early success, only to be followed by an equally dramatic decline, all in a space of about 40 years. My reliance on interviews and analysis of new documents contributes to a deeper understanding of the complex history at this site. I also examine how the vision of Marius Barbeau may have contributed to the vision for ‘Ksan, articulated in part by a non-Native woman, Polly Sargent, a prime mover in the development of the site, the contributions of professionals like art historian Bill Holm, and most importantly, the dedication of the Gitksan people. While the school has closed, ‘Ksan’s positive impact on First Nations art of the Northwest Coast and its influence on the acceptability of Native art as fine art in Canada and other parts of the world, is evident. / Graduate / 0377 / 0273 / 0740 / cdubreui@sbu.edu

Fossil plant remains from the "upper sedimentary-unit" of the Hazelton Group were investigated in order to attempt the assignment of a precise age to the strata. Collections of leaves and specimens for plant microfossil analysis were collected in the Hazelton area, and were supplemented by leaf collections loaned by the Geological Survey of Canada. Intensive maceration of rock specimens failed to yield sufficient microfossils for dating or correlation, and subsequent work was limited to the analysis of megafossils. Identification of leaves and other remains resulted in the discovery of one new species and the recognition of 7 species previously unreported in the Hazelton flora. Statistical analyses and correlations with other floras have led to the conclusion that, the flora from the "upper sedimentary unit" of the Hazelton Group is late Jurassic to early Cretaceous in age, encompassing the stages Portlandian to Neocomian inclusive. / Science, Faculty of / Earth, Ocean and Atmospheric Sciences, Department of / Graduate

Since the second world war, most nations have prepared for further armed inter-state conflicts. Although this being useful, most nations have not succeeded in preparing for other types of conflicts, insurgencies being one of them. The current means and measures of best countering an insurgency have not yet been identified and the ones being used are met with hard criticism. Therefore, more theories need to be studied. The aim of this thesis is to examine the explanatory power of Jaqueline Hazelton’s ”Coercion-theory” by applying it on two cases of counterinsurgency conflicts. The purpose of this thesis is to contribute to the current discussion regarding a state actors’ choice of methods within counterinsurgency. Despite the theory´s broad variables, this paper concludes that the ”Coercion-theory” is unable to explain the outcome of the second Lebanese war from 2006 and operation Cast Lead from 2008. This thesis can also be used to further underline the need for new tools for decision-makers when faced with an insurgency.

Stikinia is a tectonostratigraphic terrane in the Canadian Cordillera comprised of the Early Permian Asitka Group, the Late Triassic Stuhini Group and the Early to Middle Jurassic Hazelton Group. William’s Gold property which coincides with the study area is located on the east-northeast margin of the Stikine terrane within a fault mosaic of Devonian to Permian Asitka Group carbonates and volcanic and sedimentary rocks of the Stuhini Group. The primary purpose of this study is to determine the timing of mineralization and the absolute ages of the intrusions within the Williams west region of the William’s Gold property. This study attempts to correlate mesothermal gold veining and Cu-Au porphyry style mineralization from the study area with mineralization that has occurred approximately 100km southeast at Kemess Mine. U-Pb, Ar-Ar geochronology and Pb isotopic studies were used to determine the ages and isotopic signatures of rocks located within the study area. Four samples of quartz monzonite and one sample of a feldspar porphyry gave U-Pb crystallization ages ranging from 221.4 to 183.6 Ma. Two samples G090062, and G090063 contained cores that cluster between 230 and 260 Ma and 330 and 380 Ma. The oldest gave an age of 420Ma. The presence of older cores suggests that the intrusion passed through older basement rocks, possibly the Paleozic Stikine Assemblage. A sample of alteration sericite from the T-bill prospect that is believed to occur syn-mineralization was dated using the Ar-Ar method and returned an inverse isochron age of 194.6 +/-3.5 Ma. The age of the sericite alteration did not correspond to the ages of the five intrusive units analyzed during this study. This suggests that the mineralization at the T-bill prospect was likely not genetically related to any of the intrusions dated in this study.

Native Indian Cultural Centres have grown out of the on-going struggle for native self-determination and are rapidly becoming a focus for native cultural revitalization. This thesis investigates the evolution of two Northwest Coast native Indian cultural centres--the 'Ksan Village and the Makah Cultural and Research Centre (MCRC)—through each stage of development, outlining the historical, cultural, economic and social context, the form and function of conceptual development and the planned and unplanned processes involved in building and operating each centre. Analysis has indicated that 'Ksan and the MCRC have evolved as a response to local cultural and economic pressures and opportunities and have been funded primarily on the basis of economic rather than cultural viability. Six factors were found to be collectively sufficient to promote the successful development of each cultural centre: local cultural knowledge, social mobilization, local project relevance, native Indian control, access to resources and common motivational ground. The relationship between native Indians and non-native specialists is changing. Native people are no longer allowing non-native specialists to define their culture and interpret their heritage and 'Ksan and the MCRC have positively re-inforced that change. The development of native Indian cultural centres has provided an important step in the on-going native struggle for self-determination by providing a focus and/or forum for native cultural identity and is likely to continue in the future. / Applied Science, Faculty of / Community and Regional Planning (SCARP), School of / Graduate