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<p>Stavljajući akcenat na rasvetljavanje kompleksne pozicije i funkcije medija, kao i implikacija njihovih jezičkih praksi po njima svojstven socio-kulturni kontekst, putem ovog rada nastoji se ukazati na zavidan potencijal filozofije medija (pogotovo hermeneutičke kritike kao njenog bitnog aspekta) za razumevanje čovekove stvarnosti. Sprovođenje kritičkih promi&scaron;ljanja nekih od aktuelnih praksi zloupotrebe medija i njima svojstvenog jezika usmereno je ka konkretizaciji teorijskih promi&scaron;ljanja medija, ali i ka iznalaženju potencijalnih re&scaron;enja za redukovanje njihovih neadekvatnih upotreba. Polazeći od stava da unutar svakog dru&scaron;tva postoje idejni sistemi motivisani interesima određenih grupacija koje, pod izgovorom da streme ka op&scaron;tem dru&scaron;tvenom dobru, svoje aktivnosti usmeravaju ka pribavljanju lične koristi, ono &scaron;to se želi utvrditi jeste način na koji ove grupacije koriste medijski prostor ne samo radi plasiranja, već i radi nametanja sopstvenih idejnih i vrednosnih sistema. Putem ovog rada nastoji se ukazati i na to da limitiranim interesima opterećen medijski jezik ne predstavlja ni&scaron;ta drugo do instrument kojim se bitno redukuju potencijali kako samog jezika tako i čoveka kao dru&scaron;tvenog subjekta s obzirom na to da upravo jezik predstavlja značajan aspekt njegovog bića.<br />Ono &scaron;to se nastoji dokazati jeste da medijski jezik, koji stoji u službi moćnih interesnih grupacija, funkcioni&scaron;e kao mehanizam instrumentalizacija dru&scaron;tvenih subjekata, te da se kao takav negativno odražava po subjektivnost to jest osobenost pojedinaca i pojedinki. Takođe, u sklopu ovog rada zastupa se stav da je samo na osnovu toga &scaron;to je za konkretne medije utvrđeno da stoje u službi određenih interesnih grupacija neprimereno izvoditi bilo kakve vrste zaključaka o medijima uop&scaron;te, ali i svu odgovornost za negativne posledice medijskih praksi pripisati isključivo grupacijama koje vr&scaron;e uticaj na njih.</p>

In his opus magnum Philosophy and the Mirror of Nature, the prominent (post)analytic Richard Rorty calls for such a philosophical inquiry, thath would rather fit under the term hermeneutics, than epistemology. Hermeneutics being the trademark term of an important movement of continental philosophy, this comes as a suprise. By examining Richard Rorty's criticism of epistemology and Hans- Georg Gadamer's concept of hermeneutics, this paper tries to find out, how much do they have in common. Source texts for this research are the topic-relatively relevant texts from the books Philosophy and the Mirror of Nature and Truth and Method. In conclusion, the main difference appears to lie in their answers to the hardly solveable question of importance of the very concept of truth. Powered by TCPDF (www.tcpdf.org)

In this scientific work discussing main hermeneutics ideas ant their connection with neoromantizm. Hermeneutics is poems analysis method. Lyrics is analysing in aspect of temporality ant eternity. Symbols of Putinas lyrics meanings compating with traditional symbols. Sections distributing according themes: munity, divinity, dualism, night and death.

This thesis is focused on the poetics of the czech hip hop lyrics. Analyzed texts increasingly represent the mainstream hip hop as a musical style and capturing the period from the beginining of the nineties until almost the present day. It deals with the appereance and description of the recurring patterns, their changeability in time, or sometimes even this what these schemes beyond. It also deals with the description of the specific atributs typical for certain kind of authors. The thesis is based on hermeneutics and poetics or stylistics.

The thesis is based on the translation of a seminal work by George Steiner After Babel (1975), published in Triáda Publishing in 2010. The study presented in this volume is divided into three parts: the first one sketches a general portrait of George Steiner as a literary and cultural critic, language philosopher and a Jewish thinker much of his thought is dedicated to the Shoah. The second part traces Steiners intellectual profile with regards to his life story. The third part introduces Steiner's poetics and ethics of translation, paying attention especially to the phenomenon of translation in the colonial and postcolonial world. It maps the succession of metaphorical images Steiner uses to pinpoint translation and interpretation in general, especially the metafor of war and of hospitality. It concludes that a metaphorical use of the term "translation" for the whole field of understanding, interpretation and cultural tradition is not of much help in our apprehension of what translation proper is.

Enthusiasmos in thinking of ancient Greece. - This disertation thesis analyzes the issue of enthusiasm in the context of thinking of the Ancient and Classical Greece. In a theoretical manner also tries to gain an insight into the semantical structure of enthusiasm basing on historical excursus (the Ancient Age, the Classial Age) to support its historical transformation. It was enthusiasmos and the way o mantical explanation, which enabled the poets to create pieces of art and gave rise to performing and poetry art. This thesis aims to explore the philosophical reflection of enthusiasm, because the gift of divine presence itself, such as the inspired poetic speech, was in the Archaic period certainly guarantee of the truthfulness, but in the Classical period, was all the more reason for doubt and questions. Selected works by prominent authors of ancient mindset are systematically analyzed in the context of enthusiasm.

The main goal and the content of the dissertation is to compare two different approaches to the Holy Scripture. To achieve this goal and to make out beforehand four-part assumptions in the conclusion is in the first part of this work defined the term of hermeneutics, then the relationship between hermeneutics and mission of both churches under examination is elaborated. The second part of the work, on the basis of studied literature, deals with research in the field of hermeneutics and exegesis history, with explanation of terms and backround, with outline of types of hermeneutics and principles of exegesis of the biblical text. This part is closed with the specification and description of the hermeneutical principles used by both chosen churches nowadays. The final third part deals with the practical comparison of one doctrinal topic - the day of worship and rest. This part is closed by the searching for reasons why the studied churches have come to different theological conclusions and instruments the change was achieved by.

Thesis deals with rekontextualization and actualisation of Jesus's parables. The methodological part describes the catechetical methods and possibilities of cooperation with selected sciences such as didactics, pedagogy, psychology and hermeneutics. Moreover there are discussed concepts such as allegory, exegesis, metaphor and metonymy. Particular text dealing with the parables of the New Testament contains a characteristic of parable as a literary form, its origin, significance and its construction order. Parables are selected particularly in the context of Matthew's gospel. The thesis functions on the basis of synchronic methodology as well as diachronic one.

The thesis deals with the question of interpretation of narrative works of fiction in regard to what the text refers to (what is usually termed reference). On the work of three differently focused authors (Frege, Ortega y Gasset, Shklovsky) it studies reference pushed aside as a thing unimportant or even impossible in art. Structuralism, developing mainly in France after 1960, supplants these questions with exploring the literalness of literary works and their inner relations, allowing narratology to arise. Subsequently, Paul Ricoeur aims for the synthesis of structuralism and hermeneutics. Approaching literary work as discourse, he distinguishes the "what" and "what about" of works, following Frege's distinction between sense and reference (meaning), while reference of a work is not descriptive. In Time and Narrative he uses the term refiguration instead of reference and emphasizes the temporal aspect of literary work and its reception. The thesis is closed with a brief interpretation of Budapest, a novel by Chico Buarque (2003).