In this scientific work discussing main hermeneutics ideas ant their connection with neoromantizm. Hermeneutics is poems analysis method. Lyrics is analysing in aspect of temporality ant eternity. Symbols of Putinas lyrics meanings compating with traditional symbols. Sections distributing according themes: munity, divinity, dualism, night and death.

В работе рассматривается эволюция лошади, мифология ее, воплощение в живописи и литературе. / Apžvelgiamas arklio vaidmuo civilizacijos, žmonijos kultūros istorijoje, parodoma evoliucija.Kreipiamas dėmesys į arklio įvaizdį mitologijoje, tautosakoje ir dailėje. Nagrinėjama L.Tolstojaus apysaka "Cholstomeras".Ji gretinama su A.Kuprina "Izumrud". / Herein, the role of a horse in civilization and history of culture of humanity is reviewed, its evoliution is disclosed. The image of horse in mythology, folklore and art (M.V.Vasnetsov, K. Petrov-Vodkin) is focused. In the analytic part, the story "Kholostomer" by L.Tolstoy is discussed upon. History of the horse is compared with story "Izumrud" by A.Kuprin.

<p>Proces tranzicije i projekti modernizacije u<br />većini postsocijalističkih dru&scaron;tava u Evropi,<br />samim tim i na Balkanu, realizovani su u formi<br />deformisane imitativne modernizacije ili<br />kontramodernizacije. Romi su i dalje<br />periferija, ali ovoga puta Evropske unije. Pred<br />njima je neizvesna budućnost u liku alternativa:<br />perspektiva postmodernog totalitarizma sa<br />tehnokratskom diktaturom, ili formiranje<br />čovečanstva kao zajednice ravnopravnih<br />građana i naroda u duhu modela socijaldemokratske<br />globalizacije sveta sa respektom<br />bogatstva kulturnih različitosti sveta, sa<br />globalizacijom razumevanja i solidarnosti među<br />narodima Dakle, i na nama savremenicima je<br />velika odgovornost kakav će oblik, lik i su&scaron;tinu<br />imati budućnost čovečanstva &ndash; da li će se ono<br />razvijati u ključu humanizacije dru&scaron;tva i<br />emancipacije čoveka, ili pak novih oblika<br />socijalnog, političkog i kulturnog porobljavanja.<br />Upravo iz tog razloga, izučavanje specifičnosti<br />stvarala&scaron;tva Roma u kontekstu evropskog<br />sistema kulturnih vrednosti ima veliki značaj.<br />U savremenom svetu, Romi kao etnička grupa<br />sve če&scaron;će postaju predmet interesovanja<br />naučnih istraživanja. &bdquo;Simbolika likovne<br />umetnosti Roma i evropski sistem kulturnih<br />vrednosti&rdquo; pokazuje se u dana&scaron;nje vreme krajnje<br />interesantnom temom istraživanja, s obzirom na<br />njen teorijski i na praktični aspekt. Reč je o umetnostje u svojoj formalnosti dugo vremena<br />bivala mimikrijska, zahvaljujući simboličkoj<br />vrednosti njenih artefakata. Mi je<br />multidisciplinarnim uvidom sagledavamo u<br />obrisima. Likovna umetnost Roma ima svoj<br />korpus koji je dugo bio zatočen u nacionalnim<br />predstavama izbegavajući oznaku romski.<br />Identitet Roma, kao i njihov imidž u Srbiji i<br />Evropi, sveden je na ovu marginalizovanu<br />dimenziju kulture, a kulturna tradicija Roma<br />podvrgnuta je IRONIZACIJI I<br />VULGARIZACIJI od strane većinske i drugih<br />manjinskih zajednica. Romska kultura,<br />artefakti, umetnici formalno su nevidljivi i<br />nemaju prepoznatljivost u dru&scaron;tvu. Ovaj rad je<br />doprinos osvetljavanju aspekta valorizacije<br />romskog kulturnog korpusa.</p> / <p>Transition processes and modernization projects<br />in most post-socialist societies in Europe,<br />including Balcans, have been realized in the<br />form of deformed imitative modernization or<br />counter-modernization. Roma people are still at<br />periphery, but this time at the periphery of<br />European Union. They are facing uncertain<br />future, with alternatives of postmodern<br />totalitarianism with technocratic dictature, or<br />humanity as community of equal citizens and<br />ethnic groups in the spirit of social-democratic<br />globalization, with respect for cultural<br />differences and understanding and solidarity<br />among nations. Contemporaries bear<br />responsibility for what form and essence the<br />future of humanity will have &ndash; whether it will<br />develop in the course of humanization of<br />society and emancipation of people, or its<br />develepment will be directed toward new forms<br />of social, political and cultural oppression.<br />Therefore, the researh of specificity of Roma&rsquo;s<br />creative work in the context of European system<br />of cultural values is of great importance.<br />In contemporary world, Roma people as ethnic<br />group are becoming the subject of scientific<br />research more and more frequently. &bdquo;Symbolics<br />of Roma&rsquo;s fine arts and European system of<br />cultural values&ldquo; turns out to be very interesting<br />topic for studying, considering its theoretical<br />and applied aspects. This thesis is<br />interdisciplinary study with both theoretical and<br />broader cultural relevance, for this topic yields<br />the possibility for the analysis and dialog of<br />different culturological value dimensions which<br />are built in centuries-long history of Europe.<br />Study deals with a &bdquo;specific illumination&ldquo; of<br />unlit aspects of Roma people and the field of<br />fine arts, their possible history, developmental<br />paths and actuality. Today, this issue is<br />significant for plenty of reasons, since this<br />problem is shadowed by many ephemeral studies which yielded modest results. This work<br />is based on scientific analytical-synthetic<br />paradigm. The main research problem addressed<br />in this study is the question: whether the<br />symbolics of Roma&rsquo;s fine arts exists in the<br />European system of cultural values, or whether<br />symbolics of Roma&rsquo;s art reflects in European<br />culture. Descriptive, hermetical and<br />comparative historical methods were used in the<br />study under the framework of synchronic and<br />diachronic approach. Because of the specificity<br />of the research subject, thought experiment was<br />used as well, as logical principle of aesthetical<br />analysis.<br />In this research, aesthetical discussion, evidence<br />of visible and invisible Roma&rsquo;s art has been<br />developed, as well as evidence of elements of<br />symbolics in the fine arts of Roma people in the<br />context of European system of cultural values.<br />Roma&rsquo;s fine art has been mimicric for a long<br />time, because of the symbolic value of its<br />artefacts. Using multidisciplinary approach, we<br />recognize its contours. Its corpus has been<br />detained in national notions, by avoiding label<br />Romani. Roma&rsquo;s identity, as well as their image<br />in Serbia and Europe, has been reduced to this<br />marginalized cultural dimension, and Roma&rsquo;s<br />cultural tradition has been exposed to<br />ironization and vulgarization by national<br />majority and other national minorities. Roma&rsquo;s<br />culture, artefacts, artists are formaly invisible<br />and unrecognized. This work contributes to<br />illumination and valorization of Roma&rsquo;s cultural<br />corpus.</p>

Darbą sudaro trys dalys. Pirmoje dalyje kalbama apie kyžiaus simboliką ir teologiją. Antroje dalyje nagrinėjama Trijų Kryžių kalno istorija ir simbolika. Trečioje dalyje atrasti dalykai lyginami su bendrosiomis ugdymo programomis. / In this research talking about symbol of cross and the Hill of the Three crosses and its use in educational programs of Lithuania.

Dreams are one of the most secret processes of human’s psychology which formation device has not been finally clarified yet. Scientists from all over the world, successfully working on this project, the results of their researches and works adduce as different hypothesis, because it is really difficult to formulate thesis that could be tested using laboratories because of the research specifics of the psychophysical proceeding of a dream. It is usual that a new theory is often denied by some examples which can not be proved according to the theory. Realized and unrealized proceedings reflect in dreams which in their content are connected with phenomenon from the outer world, just as psychophysical proceedings of human organism or demands. The content of dreams is mostly influenced by past experience and information lying in subliminal mind. However, such an explanation does not overwhelm a big part of dreams which are interesting and secret. In the research paper there was analyzed the influence of dreams on the dreamer, what sort of mood he has in the morning. It is possible that many days or weeks he is persecuted by a black shadow of a woeful dream, which is difficult to remember. It is possible that he feels tired and prostrate or conversely: he feels assured, negotiating all the barriers on his way. Colour and its symbolic meaning also have a big role in a dream. Features that influence perception of colours are: living experience, position and gradation scale. They are... [to full text]