Šiame darbe buvo analizuojami literatūriniai sapnai, remiantis analitiniu, interpretaciniu, naratologiniu, kino teorijos, V. Proppo „Pasakos morfologijos, C. G. Jungo archetipų teorijos interpretaciniais tyrinėjimo metodais. Tyrinėjimo šaltiniai – šiuolaikiniai romanai: norvegės H. Wassmo bei lietuvio L. Gutausko „Septintas susitikimas“ ir „Vilko dantų karoliai“. Šių autorių veikalai pasirinkti dėl juose sutinkamų sapnų parankumo šio darbo tyrinėjimo analizei. Darbe siekta remiantis Prince’o ir Jungo pasiūlytomis technikomis analizuoti literatūrinius sapnus, juos siejant, taikant jiems kinui būdingas sąvokas, sampratas, teorijas siejant sapnus su mitais bei pasakomis. Šiam tikslui pasiekti darbe buvo atliekami tokie uždaviniai: teoriškai formuluota sapno kaip naratyvo samprata, ieškota kino naratyvo principų sapne. Taip pat bandyta atpažinti sapne pasireiškiančius pasakos ar sakmės siužetus ir motyvus, rasti sąsajas tarp mito ir sapno, ieškota archetipinių vaizdinių sapnuose. Toks darbo objektas pasirinktas ne atsitiktinai: svarbus aspektas, kuris skatina rašytojus integruoti sapnus į kūrinio meninę realybę – tai troškimas artikuliuoti komplikuotas šiuolaikinio subjekto patirtis, susijusias su „tiesos“ pažinimu ir jos perteikimu. Įterpti į tekstą sapnai veikia kaip intertekstas, perkoduojantis siunčiamą pranešimą kita „kalba“. Atkodavus sapną, jo reikšmė gali būti vartojama kūrinio prasmės įtaigai stiprinti. Pats literatūrinis sapnas, jį ypač mėgstančių rašytojų kūryboje... [toliau žr. visą tekstą] / In this work in nonintegration way the literary dreams were analyzed, according to analytical, interpretational, narathological, theoretical instruments, offered by Russian formalism, C. G. Jung’s theory of archetypes. The sources of research – 8 literary dreams of Herbjørg Wassmo‘s novel „Septintasis susitikimas“ and Leonardas Gutauskas‘ first part of „Vilko dantų karoliai“. The literary dream itself in the creation of its admirers or when it becomes a basis of the composition structure of creation, constantly attracts the attention of people in literature. So the choice of such an object also determines its topicality in the contemporary scientific world. The works of these authors are chosen due to handiness of dreams for the research analysis of this work. In this work it was tryed, according to technics, offered by Prince and Jung, to analyse the literary dreams, by relating it, applying cinematic concepts, conceptions, theories, relating dreams with myths and fairy-tales. To archieve this goal there were formulated such tasks: to theoreticaly formulate the conception of dream, as narrative, to look for the principles of cinematic narrative in the dream, to recognize the plots and motives of fairy-tale and saga, which come through it, to find the relations between the myth and dream, to look for an archetypical visuals in the dreams. Such an object of work was chosen nonaccidentally: the important aspect, which encourages writers to integrate dreams in artistical reality... [to full text]

Naratologijos sąvoka siejama su G. Genette’o vardu. Jo teorijos leidžia kitaip pažvelgti į teksto analizę. Svarbiausia yra ne kas papasakota, bet kaip papasakota. Naratologijos teorija padeda atskleisti pasakojimo ypatybes, naratoriaus santykį su tekstu. Todėl ir yra svarbiausia, kaip pasakojama. / The concept of narratology is related to the name of G. Genette. His theories allow regarding the text analysis differently. The most important is not what is narrated, but how it is narrated. The theory of narratology helps to reveal the peculiarities of narration and narrators relation to the text. Therefore, how it is narrated is most important.

Dreams are one of the most secret processes of human’s psychology which formation device has not been finally clarified yet. Scientists from all over the world, successfully working on this project, the results of their researches and works adduce as different hypothesis, because it is really difficult to formulate thesis that could be tested using laboratories because of the research specifics of the psychophysical proceeding of a dream. It is usual that a new theory is often denied by some examples which can not be proved according to the theory. Realized and unrealized proceedings reflect in dreams which in their content are connected with phenomenon from the outer world, just as psychophysical proceedings of human organism or demands. The content of dreams is mostly influenced by past experience and information lying in subliminal mind. However, such an explanation does not overwhelm a big part of dreams which are interesting and secret. In the research paper there was analyzed the influence of dreams on the dreamer, what sort of mood he has in the morning. It is possible that many days or weeks he is persecuted by a black shadow of a woeful dream, which is difficult to remember. It is possible that he feels tired and prostrate or conversely: he feels assured, negotiating all the barriers on his way. Colour and its symbolic meaning also have a big role in a dream. Features that influence perception of colours are: living experience, position and gradation scale. They are... [to full text]