Šiame darbe buvo analizuojami literatūriniai sapnai, remiantis analitiniu, interpretaciniu, naratologiniu, kino teorijos, V. Proppo „Pasakos morfologijos, C. G. Jungo archetipų teorijos interpretaciniais tyrinėjimo metodais. Tyrinėjimo šaltiniai – šiuolaikiniai romanai: norvegės H. Wassmo bei lietuvio L. Gutausko „Septintas susitikimas“ ir „Vilko dantų karoliai“. Šių autorių veikalai pasirinkti dėl juose sutinkamų sapnų parankumo šio darbo tyrinėjimo analizei. Darbe siekta remiantis Prince’o ir Jungo pasiūlytomis technikomis analizuoti literatūrinius sapnus, juos siejant, taikant jiems kinui būdingas sąvokas, sampratas, teorijas siejant sapnus su mitais bei pasakomis. Šiam tikslui pasiekti darbe buvo atliekami tokie uždaviniai: teoriškai formuluota sapno kaip naratyvo samprata, ieškota kino naratyvo principų sapne. Taip pat bandyta atpažinti sapne pasireiškiančius pasakos ar sakmės siužetus ir motyvus, rasti sąsajas tarp mito ir sapno, ieškota archetipinių vaizdinių sapnuose. Toks darbo objektas pasirinktas ne atsitiktinai: svarbus aspektas, kuris skatina rašytojus integruoti sapnus į kūrinio meninę realybę – tai troškimas artikuliuoti komplikuotas šiuolaikinio subjekto patirtis, susijusias su „tiesos“ pažinimu ir jos perteikimu. Įterpti į tekstą sapnai veikia kaip intertekstas, perkoduojantis siunčiamą pranešimą kita „kalba“. Atkodavus sapną, jo reikšmė gali būti vartojama kūrinio prasmės įtaigai stiprinti. Pats literatūrinis sapnas, jį ypač mėgstančių rašytojų kūryboje... [toliau žr. visą tekstą] / In this work in nonintegration way the literary dreams were analyzed, according to analytical, interpretational, narathological, theoretical instruments, offered by Russian formalism, C. G. Jung’s theory of archetypes. The sources of research – 8 literary dreams of Herbjørg Wassmo‘s novel „Septintasis susitikimas“ and Leonardas Gutauskas‘ first part of „Vilko dantų karoliai“. The literary dream itself in the creation of its admirers or when it becomes a basis of the composition structure of creation, constantly attracts the attention of people in literature. So the choice of such an object also determines its topicality in the contemporary scientific world. The works of these authors are chosen due to handiness of dreams for the research analysis of this work. In this work it was tryed, according to technics, offered by Prince and Jung, to analyse the literary dreams, by relating it, applying cinematic concepts, conceptions, theories, relating dreams with myths and fairy-tales. To archieve this goal there were formulated such tasks: to theoreticaly formulate the conception of dream, as narrative, to look for the principles of cinematic narrative in the dream, to recognize the plots and motives of fairy-tale and saga, which come through it, to find the relations between the myth and dream, to look for an archetypical visuals in the dreams. Such an object of work was chosen nonaccidentally: the important aspect, which encourages writers to integrate dreams in artistical reality... [to full text]

Mitinis žmogus - šiuolaikinėje visuomenėje atspindintis senosios kultūros pasaulėžiūros suvokimą. Žmogus sąmonės lygmenyje laviruojantis tarp praeities kultūros dvasinių įsitikinimų ir šiuolaikinės visuomenės informacijos bei žinių. / The mythical man - in a modern society, reflecting the culture of the old world-perception. Man exists between the level of consciousness of the past culture and spiritual beliefs of modern society of information and knowledge.

Магистерская работа "Цветаева о Пастернаке: миф о поэте" предназначена для раскрытия понимания творчества и личности Бориса Пастернака в сознании Марины Цветаевой. Объектом исследования работы является "эпистолярный роман" поэтов, а так же циклы стихов Цветаевой, посвященные Борису Пастернаку. / Magistro darbas „Cvetajeva apie Pasternaką: mitas apie poetą“ skirtas atskleisti Boriso Pasternako asmenybės ir kūrybos suvokimą Marinos Cvetajevos sąmonėje. Darbe analizuojamas Cvetajevos ir Pasternako „epistolinis romanas“ o taip pat Cvetajevos eilių ciklai, skirtieji Borisui Pasternakui. / Magister's work "Cvetajeva about Pasternak: the myth about the poet" is up to reveal a conception of Boris Pasternak's personality and oeuvre. Here is analysed Cvetajeva's and Pasternak's "epistolary novel" as also Cvetajeva's poesy that were sacred to Pasternak.

Darbe, remiantis C. G. Jungo kolektyvinės pasąmonės modeliu, nagrinėjamas Joseph‘o Campbell‘o susistematizuotas „Didvyrio mitas“. Nepriklausomai nuo kultūros ir geografinės padėties, universalia forma visame pasaulyje aptinkamas klasikinis mitinės herojaus kelionės šablonas naudojamas ne tik literatūroje, tačiau ir vaizduojamajame mene, besiremiančiame pasakojimu – tame tarpe ir vienoje naujausių medijų meno šakų – vaizdo žaidimuose. Darbe tiriamos universalaus „Didvyrio mito“ interpretacijos vaizdo žaidimuose ir šios medijos įtakoti nukrypimai nuo klasikinio mito modelio. / The theme of this work is „Hero‘s Journey‘s representation in video games“. In this work, based on C. G. Jung‘s concept of collective subconsciousness, the content of „Hero‘s Journey“(as systemized by Joseph Campbell) is analyzed. The concept of universal myth is found not only in the literature, but also in most of the visual art which is based on narrative element, including video games. The work analyzes the interpretation of „Hero‘s Journey“ in video games and identifies the variations of the template of the universal myth as it occurs in this video game medium.

This work is concentrated on the understanding of the mythical dimension of Gabriel Garcia Marquez works. This dimension is conditioned by authors eagerness to base his writings on folklore consciousness and folklore mythology, namely on a myth, which is created and lives in oral tradition and family beliefs. Marquez looks at myth through carnival culture, which by itself is passing link between primitive mythology and fiction (75, 60). To his novel “One Hundred Years of Loneliness” he adjusted the primitive mythology, he knew from his childhood: folklore, people beliefs, superstitions, witchcraft – all this set, which was still alive in Caribbean coast peoples’ consciousness. The “magical realism” literature was based on that. In this work the attention is directed to Creole, Indian, Afro-American mythology, which is reflected in Garcia Marquez writings. Reflections of Afro-Catholic religions (voodoo, Santeria) are also reflected (especially in his book “About Love and Other Demons”). The motives of time (dominating illud tempus) and pre-Christian space is also important. The world is only being created. So it is tried to look for the repeating of eschatological and cosmological myths. The repeating of birth myth in Garcia Marquez works is mostly expressed through specific relationship with death. It is specific feature in his works, determined by Latin America traditions and individual relation with surrounding world. Important role in Garcia Marquez writings plays such... [to full text]

This work is concentrated on the understanding of the mythical dimension of Gabriel Garcia Marquez works. This dimension is conditioned by authors eagerness to base his writings on folklore consciousness and folklore mythology, namely on a myth, which is created and lives in oral tradition and family beliefs. Marquez looks at myth through carnival culture, which by itself is passing link between primitive mythology and fiction (75, 60). To his novel “One Hundred Years of Loneliness” he adjusted the primitive mythology, he knew from his childhood: folklore, people beliefs, superstitions, witchcraft – all this set, which was still alive in Caribbean coast peoples’ consciousness. The “magical realism” literature was based on that. In this work the attention is directed to Creole, Indian, Afro-American mythology, which is reflected in Garcia Marquez writings. Reflections of Afro-Catholic religions (voodoo, Santeria) are also reflected (especially in his book “About Love and Other Demons”). The motives of time (dominating illud tempus) and pre-Christian space is also important. The world is only being created. So it is tried to look for the repeating of eschatological and cosmological myths. The repeating of birth myth in Garcia Marquez works is mostly expressed through specific relationship with death. It is specific feature in his works, determined by Latin America traditions and individual relation with surrounding world. Important role in Garcia Marquez writings plays such... [to full text]

Šiame darbe analizuojama maištingojo anarchizmo ideologijos tema G.Beresnevičiaus eseistikoje. / The author of this work analysis the ideology of anarchism in G.Beresnevichius’ essay books. The following three books of the mentioned writer have been chosen, i.e. ,, On the edge of time’’ ( ,, Ant laiko ašmenų’’ ), ,, The wolves’ sun’’ ( ,, Vilkų saulutė’’ ) and ,, Empire making’’ ( ,, Imperijos darymas’’ ). The target of the work was to present the essayist’s books, which would help to point up and reveal the theme of rebellious anarchism. It was also important to realize, how the writer’s ideology reflects in separate thematic motives, which determined the following tasks; to find similarities with the ideology of anarchism in Beresnevichius books of essys by comparison, to analyze the explanation of Lithuanian national distinction, significance of the myth, criticism of today’s society, anarchistic approach to death, the concepts of freedom of populace and freedom of an individual and the importance of humor. The author suggested the conklussion of her research , that some features typical of anarchism ideology could be found in Beresnevichius’ essay books, as well as differences from that ideology. Key words: anarchism, rebellious, ideology, essay, myth, utopia, antiutopia, humor.

Vytautas P. Bložė, Donaldas Kajokas ir Rabindranathas Tagorė yra gerai susipažinę su indų Vedų vaišnavizmo mitologija, todėl savo eilėraščiuose įdomiai ir gražiai ją taiko, atskleisdami įvairių reiškinių prasmes ir praturtindami lietuvišką poeziją. Daugiausiai dėmesio poetai skiria mėnuliui, sielos ir Supersielos ryšiui ir Dievo Krišnos archetipui, mažiau – šventam medžiui ir gėlei. Kajokas daugiau dėmesio skiria mėnuliui. Bložės mėnulis skatina dvasinį augimą ir neleidžia pasiduoti materialiai tamsai, taip pat dieviškas asmuo su begaliniu pasauliu, Kajokui jis – ne tik šviesa, lemtis bet ir pats Dievo Asmuo (su mėnulio veidu ir akimis), grojantis fleita, taip pat moters ir vaiko įvaizdis, kas atitinka indų mitologiją, o Tagorei mėnulį atstoja Pats Dievas Krišna, turintis mėnulio veidą. Jų mėnulis yra nuolatos veikianti dieviška asmenybė, kas būdinga indų mitologijai. Poetams labai svarbus sielos ir Supersielos santykio motyvas. Visi trys remiasi Vedų šventraščių alegorija ir šį įvaizdį pateikia kaip du paukštelius. Paukštelis Supersiela nuolatos pataria, ką daryti, kad jos antrininkė išsivaduotų nuo žemų įgeidžių ir pasiektų aukščiausią tobulumą, atgaivindama dievišką draugystę. Tagorės paukštis yra be galo laimingas, būdamas kartu su Viešpačiu, Bložė stebi šiuos paukštelius, o Kajoko paukštis nelaimingas, nes neįsiklauso į Supersielą. Kajoko ir Tagorės Supersiela ir siela dar lyginamos su saule ir jos šviesa, Supersielos nebuvimą sielos gyvenime – su... [toliau žr. visą tekstą] / Vytautas P. Bložė, Donaldas Kajokas and Rabindranath Tagore are well acquainted with indian Vedic mythology, therefore in their poetry they adjust it interestingly and beautifully, by revealing the meanings of different phenomenons, and in this way enriching lithuanian poetry. Most of the attention the poets allot to the moon trop, the relationship between the soul and the Supersoul and the archetype of God Krishna, less attention – to the sacred tree and flower. Kajokas attaches great importance to the moon. Bložė's moon induces spiritual growth and does not allow to yield to material darkness, it is also divine person with limitless world. To Kajokas it is not only the light, destiny, but also God (with moonlike face), who plays the flute, it is the trope of a woman and a child too. And for Tagore the place of the moon takes God Krishna Himself with His moonlike face. Their moon is always acting divine person, what is the characteristic of indian mythology. The motive of the relation between the soul and the Supersoul is very significant to the poets. All three of them lean on the allegory of Vedic scriptures and present this trop as two birds. The bird Supersoul always advises what to do for Her minor to make itself free from low whims, by reviving divine friendship. Tagore's bird is endlessly happy being together with the Lord, Bložė observes these birds and Kajokas' bird is unhappy, because it doesn't heed to the Supersoul. Kajokas' and Tagore's Supersoul and... [to full text]

In this work, we have analysed the myth about Vilnius as a fallen city represented in the novel „Vilnius’ Poker“ by Ričardas Gavelis. We have looked in to the contemporary myth of Vilnius, searching for the myth of the city foundation and other ancient myths, which have been compared with the modern mythology of the city. The following analysis represents the discussion about the origin of city and some its’s problems in lithuanian culture, going deep into the myth of the Vilnius foundation and it‘s transformation in Ričardas Gavelis’ novel. One of the principal metaphors in the novel is the one showing Vilnius as a labyrinth. The fallen city and the maze take the vertical and horizontal meanings of space and the images in the novel. The characters are compared with archaic heroes, looking for survivals of the ancient myths. An individual is constructed as an absurd person. Their standpoint to God and to the city is estimating. The city is the manifestation of the modern myth, because now the myth can be everthing what is valuable to make narration.

Vieno įdomiausių šiuolaikinio anglų rašytojo John’o Fowles’o kūryba yra lyg išsamus ir gilus ekskursas į vakarietiškos kultūros, filosofijos, mitologijos, meno ir istorijos raidą. Pasaulinėje literatūros kritikoje, J. Fowles’o proza yra analizuojama šiais aspektais: 1) kaip romantizmo ir neoromantizmo idėjų tesėja ir skleidėja, 2) kaip egzistencialistinės literatūros tęsėja, 3) kaip postmodernistinės rašymo tradicijos skleidėja, 4) kaip mitopoetikos ir mitinio rašymo atstovė. Darbo tikslas yra pateikti struktūrinę pačio Orfėjo mito analizę ir pritaikyti ją analizuojant Fowles’o prozą. Orfėjo mito struktūra atskleidžia akivaizdžias tris dalis, į kurias susigrupuoja visos mite esančios mitologemos. Trinarė Orfėjo mito struktūra sudaro binarines opozicijas, kuriomis remiantis galima atskleisti giluminius mito klodus, santykių pluoštus ir konfliktus.Pirmieji Orfėjo mitą pateikę rašytiniai šaltiniai - Vergilijaus „Georgikos“ ir Ovidijaus „Metamorfozės“ jau byloja apie šio mito invariantų interpretacinę gausą ir įvairovę. Vergilijus ir Ovidijus tą patį Orfėjo mitą pateikia visiškai skirtingai. Vergilijus naudoja Orfėjo mitą kaip Aristėjo mito svarbią dalį, kuri paaiškina gamtinio, kosminio ir kolektyvinio ciklo sutrikimą, t.y. – bičių praradimą. Ovidijus savo „Metamorfozėse“, priešingai nei kad Vergilijaus „Georgikose“, Orfėjas mite atlieka tarpininko vaidmenį, jis yra mediatorius, pagrindinė ašis leidžianti egzistuoti visiem esantiems mite santykiams ir konfliktams. Orfėjas kaip... [toliau žr. visą tekstą] / One of the most interesting contemporary novelists John Fowles’s creation can be considered as a deep and broad excursus to the development of western culture, philosophy, mythology, art and history. In literature critics Fowles’s creation is analysed in these aspects: 1) as the existential projections of romance proceeding the traditions of the romanticism literature, 2) as the holder of existential literature traditions, 3) as the supporter of postmodern tradition in literature, 3) as the representative of myth poetic. The aim of this thesis is to give the structural analysis of the myth of Orpheus and to apply it in the analysis of Fowles’s prose. The structure of the myth of Orpheus reveals three parts and groups all the myth elements in them. The trinomial structure of the myth of Orpheus creates the binary oppositions that help to reveal all the layers of the myth, the main conflicts and relations. Virgil’s “Georgics” and Ovid’s “Metamorphosis” - the first written resources where we meet the myth of Orpheus, already proves that the myth has lots of invariants and interpretation possibilities. Virgil and Ovid represent the myth of Orpheus in very different ways. Virgil uses the myth of Orpheus as the complex part of the myth of Aristeus which helps to explain the reason how he lost his bees and why the natural order is discomfited. Ovid in his “Metamorphosis” argues Virgil and depicts the myth of Orpheus as the main centre of narration and the base for the other myths... [to full text]