Made available in DSpace on 2014-12-17T14:00:15Z (GMT). No. of bitstreams: 1 SandroSS_DISSERT.pdf: 1757287 bytes, checksum: 669a9ffceafd1badcce31570d70525a8 (MD5) Previous issue date: 2011-06-17 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / The term body without organs is present in a poem by the french writer, actor and director Antonin Artaud, written in 1947 and titled: To Have Done with the Judgement of God. I aim, in this work, from what we call investigative scenic writing, to problematize this term and its possible relations with the theater and also with some aspects of the Hindu myths. I unite the idea of the body without organs with the body in trance present in the stories of an Indian master named Caitanya Mahaprabhu. These ideas, along with the development of practices that come from some principles of Theatre Anthropology, are incentives for a creation process that highlights the work of preparation and creation of corporeal work of the actor. The relationship between the concepts and the practice raise discussions about where I stand as an actor-researcher in process / O termo corpo sem ?rg?os est? presente em um poema do escritor, ator e encenador franc?s Antonin Artaud, escrito em 1947 e intitulado: Para Acabar com o Julgamento de Deus. Busco, nesta disserta??o, a partir do que chamamos escrita c?nico- investigativa, problematizar este termo e suas rela??es poss?veis com o teatro e tamb?m com alguns aspectos da m?tica hindu. Uno ? id?ia do corpo sem ?rg?os o corpo em transe presente nas hist?rias de um mestre indiano chamado Caitanya Mahaprabhu. Estas id?ias, juntamente com o desenvolvimento de pr?ticas que partem de alguns princ?pios da Antropologia Teatral, s?o est?mulos para um processo de cria??o que destaca o trabalho de prepara??o e cria??o corporal do ator. As articula??es entre os conceitos e a pr?tica suscitam discuss?es onde me coloco como ator-pesquisador em processo