Master of Music (Musicology) / The Royal Philharmonic Society of Sydney, formed as the Sydney Philharmonic Society in 1885, represented the rich tradition of amateur choral organisations present in Sydney in the nineteenth and early twentieth centuries. Under the strong leadership of two of their conductors, Roberto Hazon and Joseph Bradley, the Philharmonic Society presented the Sydney and Australian premieres of many choral works, engaged the services of many international vocal soloists, performed for full houses, and was invited to perform at many important civic and state events. Yet this organisation has been forgotten by history and the Sydney music community. Although many issues contributed to the decline of this amateur organisation, the strongest factors included the Philharmonic’s inability to maintain consistency in their leadership in later years, a change in general musical trends from amateur vocal performances to professional orchestral concerts, an increase in competition from other entertainments, the establishment of the ABC, and an ongoing lack of support from the city and state governments. These were further exacerbated by the lack of support from members of the Sydney press, particularly the Sydney Morning Herald. Therefore, an in-depth study into the story of the Royal Philharmonic Society of Sydney not only uncovers the history of a forgotten music organisation, it also contributes to a deeper understanding of the musical performance culture of the late nineteenth and early twentieth centuries in Sydney.

Master of Music (Musicology) / The Royal Philharmonic Society of Sydney, formed as the Sydney Philharmonic Society in 1885, represented the rich tradition of amateur choral organisations present in Sydney in the nineteenth and early twentieth centuries. Under the strong leadership of two of their conductors, Roberto Hazon and Joseph Bradley, the Philharmonic Society presented the Sydney and Australian premieres of many choral works, engaged the services of many international vocal soloists, performed for full houses, and was invited to perform at many important civic and state events. Yet this organisation has been forgotten by history and the Sydney music community. Although many issues contributed to the decline of this amateur organisation, the strongest factors included the Philharmonic’s inability to maintain consistency in their leadership in later years, a change in general musical trends from amateur vocal performances to professional orchestral concerts, an increase in competition from other entertainments, the establishment of the ABC, and an ongoing lack of support from the city and state governments. These were further exacerbated by the lack of support from members of the Sydney press, particularly the Sydney Morning Herald. Therefore, an in-depth study into the story of the Royal Philharmonic Society of Sydney not only uncovers the history of a forgotten music organisation, it also contributes to a deeper understanding of the musical performance culture of the late nineteenth and early twentieth centuries in Sydney.