Thesis (M.A.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 71-73).

Thesis (M.A.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 71-73) Also available in print.

Thesis (Ph. D.)--New York University, Graduate School of Arts and Science. / Typescript. Includes bibliographical references (leaves 872-883). Also issued in print.

Thesis (Ph. D.)--New York University, Graduate School of Arts and Science. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 872-883).

MA by Coursework and Research Report Wits School of Arts - Film & Television 2019 / This thesis is a study of post-socialist Chinese horror cinema – namely, horror films of the period from the film industry reform in 2003 to the present – and centres around the question of how Chinese horror filmmakers are responding to the new policies and regulations and achieve their financial success by fulfilling audiences’ expectations from the perspective of cultural traditions. It contributes to an overview of the Chinese film industry and the production value chain of horror films that is rarely accessible to the English-speaking world, thus it is also intended as a practical guide for producers and potential investors interested in entering the contemporary Chinese horror film market. This thesis argues for the essential role of government regulation and the cultural context of China in shaping the generic attributes of Chinese horror film in both post-socialist China and post-socialist cinema. / NG (2020)

Thesis (M.A.)--University of Kentucky, 2002. / Title from document title page. Document formatted into pages; contains vii, 63 p. : ill. Includes film clips utilizing MPG files. Includes abstract. Includes bibliographical references (p. 60-62).

Thesis (Ph. D.)--University of Florida, 1979. / Vita. Typescript. Includes bibliographical references (leaves 189-199).

Thesis (Ph. D.)--University of Florida, 1979. / Vita. Typescript. Includes bibliographical references (leaves 189-199).

This article seeks to investigate this balance and to interrogate the difference between horror and terror in an attempt to contribute to the development of a systematic genre typology. A brief history of the genre will be given, after which the focus will fall on contemporary Horror film, paying specific attention to the relationship between violence and horror, the theme of sacrificial violence, and the transgression of ‘natural’ laws. An eclectic approach is followed, drawing from literary theory, theology, psychology, and, of course, film theory.

published_or_final_version / Literary and Cultural Studies / Master / Master of Arts