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Where has all the horror gone? : a study of horror in contemporary cinema /Yau, Suk-ying, Shirley. January 2000 (has links)
Thesis (M.A.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 71-73).
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Where has all the horror gone? a study of horror in contemporary cinema /Yau, Suk-ying, Shirley. January 2000 (has links)
Thesis (M.A.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 71-73) Also available in print.
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Death's love songs the American horror film (1931-1936) and its embodiment of romantic gothic conventions /Sevastakis, Michael. January 1979 (has links)
Thesis (Ph. D.)--New York University, Graduate School of Arts and Science. / Typescript. Includes bibliographical references (leaves 872-883). Also issued in print.
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Death's love songs the American horror film (1931-1936) and its embodiment of romantic gothic conventions /Sevastakis, Michael. January 1979 (has links)
Thesis (Ph. D.)--New York University, Graduate School of Arts and Science. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 872-883).
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The study of the national specificity of horror film in Post-socialist ChinaLyu, Bo January 2019 (has links)
MA by Coursework and Research Report
Wits School of Arts - Film & Television
2019 / This thesis is a study of post-socialist Chinese horror cinema – namely, horror films
of the period from the film industry reform in 2003 to the present – and centres
around the question of how Chinese horror filmmakers are responding to the new
policies and regulations and achieve their financial success by fulfilling audiences’
expectations from the perspective of cultural traditions. It contributes to an overview
of the Chinese film industry and the production value chain of horror films that is
rarely accessible to the English-speaking world, thus it is also intended as a practical
guide for producers and potential investors interested in entering the contemporary
Chinese horror film market. This thesis argues for the essential role of government
regulation and the cultural context of China in shaping the generic attributes of
Chinese horror film in both post-socialist China and post-socialist cinema. / NG (2020)
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"That's just the way we like it" the children's horror film in the 1980's /Bentley, Christina Mitchell, January 2002 (has links) (PDF)
Thesis (M.A.)--University of Kentucky, 2002. / Title from document title page. Document formatted into pages; contains vii, 63 p. : ill. Includes film clips utilizing MPG files. Includes abstract. Includes bibliographical references (p. 60-62).
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A journey into darkness the art of James Whale's horror films /Ellis, Reed. January 1979 (has links)
Thesis (Ph. D.)--University of Florida, 1979. / Vita. Typescript. Includes bibliographical references (leaves 189-199).
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A journey into darkness the art of James Whale's horror films /Ellis, Reed. January 1979 (has links)
Thesis (Ph. D.)--University of Florida, 1979. / Vita. Typescript. Includes bibliographical references (leaves 189-199).
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Part one: "Horror versus terror in the body genre" : part two: "Silent planet"Vermaak, Janelle Leigh January 2007 (has links)
This article seeks to investigate this balance and to interrogate the difference between horror and terror in an attempt to contribute to the development of a systematic genre typology. A brief history of the genre will be given, after which the focus will fall on contemporary Horror film, paying specific attention to the relationship between violence and horror, the theme of sacrificial violence, and the transgression of ‘natural’ laws. An eclectic approach is followed, drawing from literary theory, theology, psychology, and, of course, film theory.
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Where has all the horror gone?: a study of horror in contemporary cinemaYau, Suk-ying, Shirley., 邱淑瑩. January 2000 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
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