This work are processed unreleased and unpublished findings of prof. Jaroslav Ušák supplemented with modern knowledge. The technology of a trombone is broadly conceived theme, but if we set aside just one sector, the picture would be incomplete and perhaps even nonsensical. It deals in detail with the construction of the instrument, its production and its difficulties, but also the difficulties of emboucher or a mechanical improvements. It also contains a short chapter about mutes.

This thesis offers insight to the issue of subwoolfer amplification in live sound application. The introduction discusses the role of subwoofers in sound practices and the impact of low-frequency spectrum of the human body. It describes a creation of PA system as process of design, construction and final control measurement. In first part thesis deals with principles of connecting several subwoolfer sources to the systems - Arrays. It describes Radiation patterns and evaluates consistency of sound field on low frequency range. Further part of work follow up the application of delay of whole system or its parts, Beam steering. The aim of this work is to evaluate particular systems from practical point of view when used in interiors and exteriors on so called "Open air" venues.

The thesis aim is to document and aptly characterize the lieder works of the composer Bohuslav Martinů. It is devided into four main chapters. The first three chapters are dedicated to Martinu ´s lied work in detail and the fourth chapter briefly touches Martinu´s complete vocal works - choral works, cantates, oratoria and melodramas.

In my dissertation Dance in Israeli Society I have tried to describe the position and perception of dance in contemporary Israeli society from the perspective of modern methods of anthropological research. I have used the methods of the work in the field - authentic interviews with Israeli dancers and Israeli choreographers, with the use of publications in English and Hebrew. My observation were focused on modern Israeli society but with understanding the context of the Jewish history and the transformation of the status of dance in Jewish society from the Biblical times, through the period of diaspora until the Zionist ideas that led to the creation of modern State Israel. Context is completed with a reflection on the current problems of Israeli society and a positive role of dance as a the medium in mutual understanding of different social groups in the contemporary society,. I accent the rolraelská kultura, židovské náboženství, izraelská společnost, národní identita, antropologie tance, tělesná kultura, pohybový jazyk, současný tanec, lidový tanec, etnický tanec, tanec v náboženství, Gaga, Feldenkrais, metoda Ilan Lev, Eshkol-Wachman Movement Notation e of dance in building of new modern State Israel and its culture in helping creating new Israeli culture and searching for the Israeli national identity. It also includes an insight into the methods and tools developed in Israel that are unique for the contemporary dance world in Israel,

The aim of this thesis is to characterize PKF – Prague Philharmonic orchestra, which has been at Czech musical scene already for 22 years. The author deals with the history of this orchestra, introducing main chief conductors and concert masters in detail and she tries to cover the most important moments of the orchestra through the time. Further the thesis describes present activities of PKF – Prague Philharmonic Orchestra. At the end of the thesis there is an interview with PhDr. Ilja Šmíd – the main director who was one of the most important persons of this orchestra in its beginning.

This master’s thesis deals in the development of jazz in terms of traditional and new and innovative influences especially from the perspective of a professional jazz musician acting on the Czech jazz scene. So mapping the general influence of traditions and innovations in the world and deeply deals with the influence of the Czech jazz musicians across generations.

The master thesis is focused at musical in the Czech Republic, his educational institutions and methodology of classical dance for musical actor. The aim is to inform about the level of musical and educational institutions dedicated to preparing the musical actor in our country in the 21st century. Another aim is to create a curriculum of classical dance for four years studying classical dance at secondary schools and colleges to study musical acting.

The thesis consists of two parts: summary of the history of the czech music theory from the epoch of Charles IV. till the beginning of the 20th century and topics of the original research. The latter one contains three studies published during the doctoral programme. The first serve as a draft of an editorial note for the future reedition of the major theoretical work by Jakub Jan Ryba (Rudimentary and general basics to all the art of music). The second one deals with the rediscovery of one of the oldest harmony textbooks in czech. The third describes the beginnings of czech music acoustics in 19th century.

In my master thesis, i focused on important famous czech and world tuba players. My goal was to gather as much information about the development and history of tuba playing as possible. In the thesis, i strived to express them honestly and understandably. The thesis is divided into four main chapters and each one of them contains subchapters. The first chapter is devoted to famous Czech tuba players. The second chapter talks about the leading European tuba players. The third chapter is called ?Tuba in north America and Canada?, whereas the last chapter is focused on the foremost tuba players and pedagogues of Asia and Australia.

Theses Organizing of classical music concerts especially concentrates on practical side of above-mentioned highly complex activity. The objectives of the theses are to provide an overview of all aspects and details, which should not be neglected by organizer. At first, it discusses the possible spaces, suitable for concert use, and specifies the types of potential organizers. The main part attends to organization itself.