This thesis focuses on the legacy of Jonathan Edwards on the Particular Baptists by way of apprehending theories held by their congregations during the eighteenth and nineteenth centuries. In particular, special attention is directed to the Edwardsean legacy as manifested in the theology of Andrew Fuller. The thesis positions itself between Edwards and Fuller in the transatlantic, early modern period and attempts by the two theologians to express a coherent understanding of traditional dogma within the context of the Enlightenment. The scope of the research traces Fuller’s theological indebtedness by way of historical reconstruction, textual expositions, and theological and philosophical implications of the following works: Freedom of the Will, Religious Affections, Humble Attempt, and Justification by Faith Alone et al. It identifies unique Edwardsean ideas as the basis for investigating whether such concepts permeate Fuller’s intellectual and spiritual life. In that process, the study establishes whether Fuller read and interpreted Edwards correctly or otherwise. This dissertation, therefore, endeavors to determine the extent of Edwards’s impact upon Fuller over and above such other influential factors, which could also have been considered influential in his works. An attempt to determine the parameters of such factors is the basis for the ensuing discussion.

Either relational contact with God is seen to be existentially attainable or God will become increasingly irrelevant to contemporary society. For Church identity and effectiveness as she serves the world, it is vital that God's initiating power can be seen to impact on this world. As response to fourteen symptoms the Church faces as 'crises,' an inclusive hermeneutic seeks fresh categories for a foundational spirituality capable of catalysing reform and transformation. This comprehensive foundational hermeneutic hypothesised is grounded on three foundational categories of experience, relationality and spiritual intuition. Any reception of such transcendence has to occur subjectively ‘in experience.’ Evasive as it is, experience is posited as a foundational category that needs to be rehabilitated through fundamental philosophy and theology, as well as interdisciplinary explorations. It will be shown that the challenges facing the contemporary Church are rooted in lost experience of transcendence. However the entry point experience provides is never to become narcissistically selfreferential but aims to establish a reciprocal relationship in faith. As an overarching category, dynamic relationality will need to be socially transformative. The deep 'God-person' relational mode, as it synthesises both human capacities and spiritual faculties, is experienced interiorly and as such is called spiritual intuition. It is argued that the notion of, and capacity for, intuition has been widely ignored and eroded. It is demonstrated that a 'reasonable intuition' is a more synthetic faculty 'naturally' open to illumination and infusion by the Spirit than an excessive traditional Church reliance on the workings of reason-intellect. Here the witness of the life of St Francis of Assisi allows simpler and accessible entry into the categories of affective experience and spiritual intuition under overarching relationality. Francis as model, when compared to other Saints, substantiates the three foundational categories. The conclusion chapter tests the foundational theory as it is applied to the fourteen challenges the Church faces. The results of this study, and its applications, offer a promising, fruitful humble metaphysic as 'solution' for the ‘Church in the world’ much in line with Pope Francis' recent approaches. / Christian Spirituality, Church History & Missiology / D. Th. (Christian Spirituality)

Either relational contact with God is seen to be existentially attainable or God will become increasingly irrelevant to contemporary society. For Church identity and effectiveness as she serves the world, it is vital that God's initiating power can be seen to impact on this world. As response to fourteen symptoms the Church faces as 'crises,' an inclusive hermeneutic seeks fresh categories for a foundational spirituality capable of catalysing reform and transformation. This comprehensive foundational hermeneutic hypothesised is grounded on three foundational categories of experience, relationality and spiritual intuition. Any reception of such transcendence has to occur subjectively ‘in experience.’ Evasive as it is, experience is posited as a foundational category that needs to be rehabilitated through fundamental philosophy and theology, as well as interdisciplinary explorations. It will be shown that the challenges facing the contemporary Church are rooted in lost experience of transcendence. However the entry point experience provides is never to become narcissistically selfreferential but aims to establish a reciprocal relationship in faith. As an overarching category, dynamic relationality will need to be socially transformative. The deep 'God-person' relational mode, as it synthesises both human capacities and spiritual faculties, is experienced interiorly and as such is called spiritual intuition. It is argued that the notion of, and capacity for, intuition has been widely ignored and eroded. It is demonstrated that a 'reasonable intuition' is a more synthetic faculty 'naturally' open to illumination and infusion by the Spirit than an excessive traditional Church reliance on the workings of reason-intellect. Here the witness of the life of St Francis of Assisi allows simpler and accessible entry into the categories of affective experience and spiritual intuition under overarching relationality. Francis as model, when compared to other Saints, substantiates the three foundational categories. The conclusion chapter tests the foundational theory as it is applied to the fourteen challenges the Church faces. The results of this study, and its applications, offer a promising, fruitful humble metaphysic as 'solution' for the ‘Church in the world’ much in line with Pope Francis' recent approaches. / Christian Spirituality, Church History and Missiology / D. Th. (Christian Spirituality)

The present thesis investigates the music and career of Jeffrey Lewis (born 1942). The thesis is broadly divided into three sections. First is an account of the composer’s life, told mainly through an overview of his works, but also through a sketch of his early years in South Wales, his studies in Cardiff, Darmstadt, Kraków and Paris, his academic career in Leeds and Bangor, and his subsequent early retirement from academia. There follows a more detailed study of six works from the period 1978 – 1985, during which certain features of Lewis’s musical language came to the fore, perhaps most notably a very individual and instantly recognisable use of modal language. After an Epilogue, the thesis concludes with an Appendix in the form of a Catalogue in which all Lewis’s known compositions are listed, together with details of performances, broadcasts and recordings. Lewis’s music often plays with our temporal expectations; the close interrelationship between texture, structure, harmony and melody, and its effect upon our perception of the passage of time, are explored in the main analyses. These are conducted partly by means of comparison with other works by Lewis or his contemporaries. Memoria is examined in relation to a similarly tranquil score, Naaotwá Lalá, by Giles Swayne. The following chapter discusses the extra-musical inspiration for Epitaph for Abelard and Heloise, whose relationship to Tableau is then explored in the next. The difficulties of creating a large-scale structure that unifies the work’s various harmonic elements are also investigated. The analysis of Carmen Paschale considers it in relation to Lewis’s other choral music, whilst the final analytical chapter compares and contrasts two three-movement works, the Piano Trio and the Fantasy for solo piano. Lewis’s melodic writing in the Piano Trio is discussed in relation to that of James MacMillan, and the origins of the first movement of Fantasy in Oliver Knussen’s Sonya’s Lullaby are explored. In the Epilogue, the possible reasons for Lewis’s current neglect are explored, various influences on Lewis’s musical thinking are laid out, and his achievements are assessed.