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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
41

Ibsen's female characters and the feminist problematic

Farfan, Penelope January 1988 (has links)
This thesis locates Ibsen within the intellectual context pertaining to gender that is provided by such influential nineteenth-century texts as Mill's The Subjection of Women and Bachofen's Das Mutterrecht, both of which seemingly feminist works in actuality foreground women only for their importance in the production of better-quality sons who will ensure the endurance of the patriarchy. The attraction of feminists to the dramas of a playwright who avowedly wrote from this patriarchal standpoint is elucidated by a consideration of the appropriation of the woman-centered texts of patriarchal "feminism" by recent feminists seeking material to reinforce their own movement. The apparently paradoxical project of the analysis of three Ibsen characters, Nora Helmer, Rebekka West and Hedda Gabler, in terms of contemporary feminist literary theory suggests a parallel means of appropriation. These potentially redefined female characters are afforded an added dimension of reality by their embodiment by actresses in stage performances that allows theatre history to be related to real-life history, in which, contemporaneously, nineteenth-century women were beginning to take part.
42

Ibsen's female characters and the feminist problematic

Farfan, Penelope January 1988 (has links)
No description available.
43

Der Narziss Peer Gynt eine psychoanalytische Betrachtung von Ibsens Gedicht und seine dramaturgische Umsetzung durch die Claus Peymann-Inszenierung am Wiener Burgtheater

Fochler, Brigitte January 2006 (has links)
Zugl.: Wien, Univ., Magisterarbeit, 2006
44

Nordisk teater i Montevideo : kontextrelaterad reception av Henrik Ibsen och August Strindberg /

Bergen, Louise von, January 2006 (has links)
Diss. Stockholm : Stockholms universitet, 2006.
45

Trois auteurs dramatiques scandinaves, Ibsen, Björnson, Strindberg, devant la critique française : 1889-1901 /

Reque, A. Dikka. January 1976 (has links)
Thèse--Lettres--Paris, 1930. / L'éd. ancienne a paru dans la "Bibliothèque de la Revue de littérature comparée" Bibliogr. p. 214-220. Index.
46

La recepción de Ibsen y Hauptmann en el modernismo catalán /

Siguán Boehmer, Marisa, January 1990 (has links)
Texte remanié de: Tesis doct.--Facultad de filología--Barcelona--Universidad de Barcelona, 1983.
47

Idealismens estetik nordisk litteraturkritik vid 1800-talets mitt mot bakgrund av den tyska filosofin från Kant till Hegel /

Westling, Christer, January 1900 (has links)
Thesis (doctoral)--Uppsala universitet. / Summaries in German and English. Includes bibliographical references (p. 283-293) and index.
48

Man at the end of history : Henrik Ibsen's works in the light of French post-Hegelian theoretical thought /

May, Gergana. January 2006 (has links)
Thesis (Ph. D.)--University of Washington, 2006. / Vita. Includes bibliographical references (leaves 195-198).
49

The theme of self-realization in four of Henrik Ibsen's plays

Jacobs, Elizabeth, 1913- January 1937 (has links)
No description available.
50

Henrik Ibsen: Nepřítel lidu - komplexní scénografický projekt (současná interpretace realistického dramatu) / Henrik Ibsen: An Enemy of the People - Complex Scenic Design

Dvořák, Pavel January 2014 (has links)
Theoretical part of this work is concerned about historical roots of the theatre play Enemy of the People by Henrik Ibsen. It is also concerned about history of Estate Theater in Pra-gue, where the play should take place. I am also concerned about the background of the author Henrik Ibsen's life. And also part of the work is about other previews authors, that have been working on the play before. In Practical part I offer new solution for visual part of the drama in context of present time and space.

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