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Performance, politics and patterns the musical aesthetic in Amiri Baraka's poetry /Flint, Susanna Pendleton. January 2010 (has links)
Honors Project--Smith College, Northampton, Mass., 2010. / Includes bibliographical references (p. 41-42).
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Fear ego love : (2002-2004) for amplified mixed quartet, rock band, and chamber choir /Keller, Derek Lawrence. Baraka, Imamu Amiri, January 2004 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2004. / Amplified quartet consists of flute, guitar, violoncello, and percussion; chamber choir for a minumum of 16 performers, SSSSAAAATTTTBBBB. Text fragments taken from Black magic by Amiri Baraka. Includes performance instructions preceding score. Vita.
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"Negotiating cooly" the intersection of race, gender, and sexual identity in Black Arts poetry /Lawrence, David Todd, January 2003 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 2003. / Typescript. Vita. Includes bibliographical references (leaves 196-202). Also available on the Internet.
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"Negotiating cooly" : the intersection of race, gender, and sexual identity in Black Arts poetry /Lawrence, David Todd, January 2003 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 2003. / Typescript. Vita. Includes bibliographical references (leaves 196-202). Also available on the Internet.
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The demands of a new idiom : music, language, and participation in the work of Amiri Baraka, Kamau Brathwaite, and Linton Kwesi Johnson /Kohli, Amor. January 2005 (has links)
Thesis (Ph.D.)--Tufts University, 2005. / Adviser: Modhumita Roy. Submitted to the Dept. of English. Includes bibliographical references. Access restricted to members of the Tufts University community. Also available via the World Wide Web;
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