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Hon tar vad man vill ha : en studie av sexuella maktrelationer i samtida relationsromanerClaesson, Marlene January 2006 (has links)
<p>The aim of this study is to analyse the sexual power relations in contemporary urban novels of Swedish female writers.</p><p>I have identified a discourse in these novels as a heteronormative matrix which power is ruled by norms and assumptions about normality in both the heterosexual and lesbian stories. For this purpose I have related to Ivar B. Neumanns theory that individuals always find a way to confront the discourse by three different strategies. These strategies are used in my study as tools to organise these novels, because it is possible to see that the protagonists find at least one of these strategy’s to her protest.</p><p>The first strategy I studied was the docile. Here I argument that the heroines in Alla vilda, Jag minns alla mina älskare och hur de brukade ta på mig, Inte enklare än så, Lögner and Att älska henne do not reject the discourse about sexual power relationships. The second strategy, named the oppositionist, implies the protagonists refusing to be left as victims. In one way or another, either by change the rolls of the sexes (Ta vad man vill ha) or by problematising the order of them (Ego girl) or find lesbianism as a way to reject the discourse (both the novels by Mian Lodalen: Smulklubbens skamlösa systrar and Trekant). The reluctant is the last strat-egy who is the creative one, which rejects some things and adapt to other. Here I place the heroines from Stjärnor utan svindel, Andra sidan Alex and Storlek 37.</p><p>The result of this study is that despite quite different strategies to oppose against the hetero-sexual power discourse and the normative femininity everyone relates to it and thereby con-firms it.</p>
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Hon tar vad man vill ha : en studie av sexuella maktrelationer i samtida relationsromanerClaesson, Marlene January 2006 (has links)
The aim of this study is to analyse the sexual power relations in contemporary urban novels of Swedish female writers. I have identified a discourse in these novels as a heteronormative matrix which power is ruled by norms and assumptions about normality in both the heterosexual and lesbian stories. For this purpose I have related to Ivar B. Neumanns theory that individuals always find a way to confront the discourse by three different strategies. These strategies are used in my study as tools to organise these novels, because it is possible to see that the protagonists find at least one of these strategy’s to her protest. The first strategy I studied was the docile. Here I argument that the heroines in Alla vilda, Jag minns alla mina älskare och hur de brukade ta på mig, Inte enklare än så, Lögner and Att älska henne do not reject the discourse about sexual power relationships. The second strategy, named the oppositionist, implies the protagonists refusing to be left as victims. In one way or another, either by change the rolls of the sexes (Ta vad man vill ha) or by problematising the order of them (Ego girl) or find lesbianism as a way to reject the discourse (both the novels by Mian Lodalen: Smulklubbens skamlösa systrar and Trekant). The reluctant is the last strat-egy who is the creative one, which rejects some things and adapt to other. Here I place the heroines from Stjärnor utan svindel, Andra sidan Alex and Storlek 37. The result of this study is that despite quite different strategies to oppose against the hetero-sexual power discourse and the normative femininity everyone relates to it and thereby con-firms it.
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Svensk chick-lit 1996-2006 : En undersökande genrediskussion av svensk chick-lit / Swedish chick lit 1996-2006 : An investigative genre discussion of Swedish chick litLundhag, Malin E January 2007 (has links)
<p>Syftena med denna uppsats har varit flera. Dels att genomföra en undersökande genrediskussion av svensk chick-lit i stort där det som uppfattats som den huvudsakliga kritiken av genren omformulerats till frågeställningar. Huvudfrågan har därmed varit att ta reda på om svensk chick-lit är intressant, men också om den har några litterära kvaliteter och om den är en feministisk backlash. I uppsatsen arbetas även en definition av svensk chick-lit fram, samt empiriskt grundad teori ur materialet. Avsikten är att detta arbete ska kunna verka som förebild för andra utredningar av nya och marginaliserade genrer. En undersökning av vilka principer biblioteken, här representerade av Umeåregionens bibliotek, utgår från vid inköp av skönlitteratur i stort och chick-lit i synnerhet har också genomförts.</p> / <p>The aims of this paper have been more than one. One aim is to conduct an investigative genre discussion of Swedish chick lit as a whole, where what is conceived as the main critique of the genre is reformulated into questions. The main questions here are if Swedish chick lit is of interest, if it possesses any literary qualities and if it constitutes a feminist backlash. This paper also draws up a definition of Swedish chick lit and empirically grounded theory from the material. The intent is for this paper to serve as a model for other analyses of new and marginalized genres. A study of the principles adopted by libraries, here represented by libraries in the Umeå district, in fiction purchases as a whole and purchases of chick lit in particular, has also been carried out.</p>
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Svensk chick-lit 1996-2006 : en undersökande genrediskussion av svensk chick-lit / Swedish chick lit 1996-2006 : An investigative genre discussion of Swedish chick litLundhag, Malin E January 2007 (has links)
Syftena med denna uppsats har varit flera. Dels att genomföra en undersökande genrediskussion av svensk chick-lit i stort där det som uppfattats som den huvudsakliga kritiken av genren omformulerats till frågeställningar. Huvudfrågan har därmed varit att ta reda på om svensk chick-lit är intressant, men också om den har några litterära kvaliteter och om den är en feministisk backlash. I uppsatsen arbetas även en definition av svensk chick-lit fram, samt empiriskt grundad teori ur materialet. Avsikten är att detta arbete ska kunna verka som förebild för andra utredningar av nya och marginaliserade genrer. En undersökning av vilka principer biblioteken, här representerade av Umeåregionens bibliotek, utgår från vid inköp av skönlitteratur i stort och chick-lit i synnerhet har också genomförts. / The aims of this paper have been more than one. One aim is to conduct an investigative genre discussion of Swedish chick lit as a whole, where what is conceived as the main critique of the genre is reformulated into questions. The main questions here are if Swedish chick lit is of interest, if it possesses any literary qualities and if it constitutes a feminist backlash. This paper also draws up a definition of Swedish chick lit and empirically grounded theory from the material. The intent is for this paper to serve as a model for other analyses of new and marginalized genres. A study of the principles adopted by libraries, here represented by libraries in the Umeå district, in fiction purchases as a whole and purchases of chick lit in particular, has also been carried out.
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