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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
21

Významní jihočeští kontrabasisté / IMPORTANT SOUTH CZECH DOUBLE BASS PLAYERS

Heřman, Libor January 2014 (has links)
Frantisek Gregora which is an outstanding contrabassist, composer and theorist. Frantisek Simandl which is one of the most famous professors at Konservatorium Wien or George Mraz which is worldwide double bass player. All they were born in South Czech, and my master diploma Thesis is dedicated to them. But this my work will not be only devoted to them, I will also talk about other famous musicians from South Czech as Jozef Houdek, and also about Petr Ries or Karel Sejna which are both members of Czech Philharmonic, because they were and they are important representatives of czech double bass school.
22

Klavírní koncert g moll, op. 33, Antonína Dvořáka - raná a konečná verze / Concerto for Piano and Orchestra in G Minor, op. 33, by Antonín Dvořák - Early and Final Version

Šmídová, Ludmila January 2016 (has links)
Ph.D. Thesis Abstract Piano Concerto in G Minor, op. 33, by Antonín Dvořák - Early and Final Version Critical Edition of the Score // Study about the Origin, the First Printing and the Performance Practice The dissertation is focused on the Concerto for Piano by Antonín Dvořák from 1876 - an outstanding composition not only in the Czech milieu but in all the European context as well - , which was a very long time condemned for its "unsuitable" piano part. The thesis summarizes all existing knowledge of the history of the origins and reception of the Dvořák's Piano Concerto, which is further verified on the basis of written contemporary sources (Dvořák's correspondence and contemporary press, sometimes yet unknown). Distorted and false pieces of information are corrected and supplemented with new findings (relating to the performances, interpreters, arrangements). Thanks to them, the author presents a new sight of the history of the reception of this composition from inception until the beginning of present century. For the first time all musical sources are examined in detail and relations between them studied (autograph with revisions between years 1876-1883, a copy of the score, which Leoš Janáček let made in 1878/9 and materials of the first printing J. Hainauer from 1883). Then author draws attention to...

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