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"To Have Lived is Not Enough for Them" performing Irish history in the twentieth century /Jaros, Michael Perin. January 2008 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2008. / Title from first page of PDF file (viewed February 6, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 207-215).
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Rob. Howard's comedy "The committee" and "Teague," an Irish stage-type /Tellenbach, Alfred. January 1913 (has links)
Thesis--Berne. / Includes bibliographical references (p. [62]).
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The beginnings of the Irish revival ...Brugsma, Rebecca Pauline Christine. Yeats, W. B. January 1900 (has links)
Proefschrift--Amsterdam. / "Stellingen": 2 leaves laid in. Includes bibliographical references (p. [99]-108, v. 1).
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Return from the West : a poetics of voice in Irish /Coleman, Steve. January 1999 (has links)
Thesis (Ph. D.)--University of Chicago, Dept. of Anthropology, August 1999. / Includes bibliographical references. Also available on the Internet.
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The slender thread : Irish women on the southern Avalon, 1750-1860. - Caption title : description based on screen of 2009-03-01. - Originally published by Gutenberg-e: www.gutenberg-e.orgKeough, Willeen G. January 1900 (has links)
Based on the author's thesis (Ph. D.)--Memorial University of Newfoundland, 2002. / Mode of access: Intranet. 1. Picking up the thread : locating Irish Newfoundland women in the narrative of migration and settlement -- 2. The slender thread cast off : migration and reception in Newfoundland -- 3. Ciphering ciphers : tracing Irish women on the southern Avalon -- 4. "A good, hard-working stump of a girl" : Irish women's work and the construction of identity on the southern Avalon -- 5. "She made the cannonballs, and he fired them" : Irish Newfounland women and informal power in family and community-- 6. "Humbel" petitioners and "litigeous" lersons : southern Avalon women and encounters with formal justice-- 7. "Whilst grass grows or water run" : testation practices on the southern Avalon -- 8. "To fix [their] character ... in virtue and innocence" : the regulation of Irish women's sexuality on the southern Avalon -- 9. The "Other" woman -- 10. The slender thread cast on. Includes bibliography.
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Rob. Howard's comedy "The committee": and "Teague," an Irish stage-type /Tellenbach, Alfred. January 1913 (has links)
Thesis - Berne. / Bibliography: p. [62]
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The Fenian movement in Illinois during the Civil War period 1861-1868 /Mallaney, Michael P. January 1975 (has links) (PDF)
Thesis (M.A.)--Eastern Illinois University, 1975. / Includes bibliographical references (leaves 176-181).
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A critical reappraisal of the texts and contexts of Francis Sylvester MahonyDunne, Fergus January 2003 (has links)
No description available.
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Irish autobiography : stories of selves in the narrative of the nationLynch, Claire January 2008 (has links)
No description available.
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The Other Sherlock Holmes| Postcolonialism in Victorian Holmes and 21st Century SherlockRobinson, Sarah E. 20 June 2018 (has links)
<p> This thesis examines Sherlock Holmes texts (1886–1927) by Sir Arthur Conan Doyle and their recreations in the television series <i>Sherlock </i> (2010) and <i>Elementary</i> (2012) through a postcolonial lens. Through an in-depth textual analysis of Doyle’s mysteries, my thesis will show that his stories were intended to be propaganda discouraging the British Empire from becoming tainted, ill, and dirty through immersing themselves in the “Orient” or the East. The ideal Imperial body, gender roles, and national landscape are feminized, covered in darkness, and infected when in contact for too long with the “Other” people of the East and their cultures. Sherlock Holmes cleanses society of the darkness, becoming a hero for the Empire and an example of the perfect British man created out of logic and British law. And yet, Sherlock Holmes’ very identity relies on the existence of the Other and the mystery he or she creates. The detective’s obsession with solving mysteries, drug addiction, depression, and the art of deduction demonstrate that, without the Other, Holmes has no identity. As the body politic, Holmes craves more mystery to unravel, examine, and know. Without it, he feels useless and dissatisfied with life. The satisfaction with pinpointing every detail, in order to solve a mystery continues today in all media versions. Bringing Sherlock Holmes to life for television and updating him to appeal to today's culture only make sense. Though society has the insight offered by postcolonial theory, evidence of an imperial mindset is still present in the most popular reproductions of Sherlock Holmes <i> Sherlock</i> and <i>Elementary</i>.</p><p>
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