Thesis--Tübingen. / Also published as Forschungen zur christlichen Literatur- und Dogmengeschichte ; Bd. 13, Heft 2. Includes numerous passages in Greek. Vita. Includes bibliographical references (p. [vii]-ix).

Thesis--Tübingen. / Also published as Forschungen zur christlichen Literatur- und Dogmengeschichte ; Bd. 13, Heft 2. Includes numerous passages in Greek. Vita. Includes bibliographical references (p. [vii]-ix).

Thesis--Faculté des lettres de Paris. / Bibliography: p. [19]-26.

Inaug.-diss.--Göttingen.

Basé sur : Diss. : Philosophy : London : 1966. - En appendice, texte latin d'une version standardisée établie d'après les manuscrits de Paris, BN, Lat 2326 et Lyon, BP 611. - Bibliogr. p. 366-378. -

Texte remanié de: Diss.--Philosophische Fakultät für Sprach- und Literaturwissenschaft II--München--Ludwig-Maximilians-Universität, 1998. / Bibliogr. p. [699]-708. Index.

Inaug.-diss.--Universiẗat Leipzig.

In the past the works of Isidorus Hispalensis have been regarded as nothing more than a rehashing of the works of earlier ecclesiastical authors, with no direct reference to Roman sources. He has been called at best a compiler and at worst a plagiarist. However, a greater understanding of the historical context shows that it is likely that Isidorus Hispalensis was working directly from Roman sources. In addition, by studying the historical context within which Isidorus is writing, evidence of his originality is seen in his ability to cater specific works to his specific context. By outlining Rome’s presence in Spain from the very beginning, as well as the changing understanding of the barbarian invasions, I show through a study of the astronomical chapters of Isidorus Hispalensis’ De Natura Rerum that Roman traditions in Spain persisted well into the Visigothic period, and that Isidorus Hispalensis is a perfect symbol of the survival of Roman culture after the fall of the western Empire. / Thesis (Master, Classics) -- Queen's University, 2013-04-12 17:33:29.356

Inaug.-diss.--Paris. / "Bibliographie": p. xxxv-xlv.

Bien avant que les surréalistes n’érigent Lautréamont en précurseur de la modernité poétique, Les Chants de Maldoror (1869) et les Poésies (1870) ont eu leur place dans les débats des écrivains de la fin du XIXe siècle sur la décadence et le symbolisme. La réception de Lautréamont ne va pourtant pas de soi : son oeuvre d’Isidore Ducasse ne s’accorde guère avec les aspirations de l’époque ; et le manque crucial d’informations sur cet auteur laisse un vide que ses premiers lecteurs se sont efforcés de combler par l’élaboration d’un récit mythique. À travers l’étude d’un demi-siècle de lectures, fait de récupérations idéologiques, de querelles véhémentes et de fantasmes autour de la figure de l’écrivain maudit, cette thèse tente de reconstituer les réseaux de sociabilité littéraire de 1868 à 1917 en utilisant des outils d’analyse empruntés à la sociologie ; elle aspire en effet à montrer comment, grâce aux petites revues et aux cénacles, un mythe littéraire s’est élaboré au tournant du siècle. / Long before Surrealists seized upon Lautréamont in the name of poetic modernity, Les Chants de Maldoror (1869) and Poésies (1870) had been read by a whole literary generation which broached upon them in discussions about decadence and symbolism. But that reception is not obvious : Isidore Ducasse’s work is not a perfect reflection of the era’s aspirations, and the lack of information about its author generates a void to be filled only by a mythic story. It is necessary to parse this half-century of readings, full of ideological hijacks, fantasies about a supposed poète maudit as well as of literary disputes in which what is at stake is the discovery of a new Rimbaud. With the help of analytic tools borrowed from network sociology, our aim is to declineate the literary landscape in the years 1868 to 1917 in order to show how a literary myth took shape, through small journals and circles, at the turn of a century.