1 |
An annotated translation of "Toshi bunka no hattatsu (The development of urban culture)"; a portion of vol IV of Kyodai Nihonshi (The Kyoto University History of Japan)Sullivan, Jerry Vincent, 1941- January 1966 (has links)
No description available.
|
2 |
Silence and avoidance: Japanese expatriate adjustmentSugawara, Yosei 01 January 1993 (has links)
No description available.
|
3 |
The yen and the sword : samurai-Capitalism and the modernization of JapanStewart, Brian K. (Brian Keith) January 1983 (has links)
No description available.
|
4 |
The yen and the sword : samurai-Capitalism and the modernization of JapanStewart, Brian K. (Brian Keith) January 1983 (has links)
No description available.
|
5 |
A westerner's journey in Japan : an analysis of Edward S. Morse's Japan day by dayBazzocchi, Karl. January 2006 (has links)
Japan Day by Day---the Western Zoologist Edward S. Morse's account of his stay in Japan from 1877 to 1883---is analyzed by first comparing it to other contemporary travelogues written by western travelers to Japan, and then by viewing it through a more theoretical framework, including Edward Said's theory on post-colonialism and Michel Foucault's theory of discourse and body experiences. Viewed through this framework, the goal of analysis is not to test the validity of Morse's writings, but to explore the formation of his interpretation of his experience in Japan.
|
6 |
A westerner's journey in Japan : an analysis of Edward S. Morse's Japan day by dayBazzocchi, Karl. January 2006 (has links)
No description available.
|
7 |
The impact of popular culture fandom on perceptions of Japanese language and culture learning: the case of student anime fansWilliams, Kara Lenore 28 August 2008 (has links)
Not available / text
|
8 |
From The floating world to The 7 stages of grieving: the presentation of contemporary Australian plays in Japan / From The floating world to The seven stages of grieving / Presentation of contemporary Australian plays in JapanSawada, Keiji January 2005 (has links)
Thesis (PhD)--Macquarie University, Division of Society, Culture, Media & Philosophy, Department of Critical and Cultural Studies, 2005. / Bibliography: p. 274-291. / Introduction -- The emergence of "honyakugeki" -- Shôgekijô and the quest for national identity -- "Honyakugeki" after the rise of Shôgekijô -- The presentation of Australian plays as "honyakugeki" -- Representations of Aborigines in Japan -- Minorities in Japan and theatre -- The Japanese productions of translated Aboriginal plays -- Significance of the productions of Aboriginal plays in Japan -- Conclusion. / Many Australian plays have been presented in Japan since the middle of the 1990s. This thesis demonstrates that in presenting Australian plays the Japanese Theatre has not only attempted to represent an aspect of Australian culture, but has also necessarily revealed aspects of Japanese culture. This thesis demonstrates that understanding this process is only fully possible when the particular cultural function of 'translated plays' in the Japanese cultural context is established. In order to demonstrate this point the thesis surveys the history of so-called 'honyakugeki' (translated plays) in the Japanese Theatre and relates them to the production of Western plays to ideas and processes of modernisation in Japan. -- Part one of the thesis demonstrates in particular that it was the alternative Theatre movement of the 1960s and 1970s which liberated 'honyakugeki' from the issue of 'authenticity'. The thesis also demonstrates that in this respect the Japanese alternative theatre and the Australian alternative theatre of the same period have important connections to the quest for 'national identity'. Part one of the thesis also demonstrates that the Japanese productions of Australian plays such as The Floating World, Diving for Pearls and Honour reflected in specific ways this history and controversy over 'honyakugeki'. Furthermore, these productions can be analysed to reveal peculiarly Japanese issues especially concerning the lack of understanding of Australian culture in Japan and the absence of politics from the Japanese contemporary theatre. -- Part two of the thesis concentrates on the production of translations of the Australian Aboriginal plays Stolen and The 7 Stages of Grieving. 'This part of the thesis demonstrates that the presentation of these texts opened a new chapter in the history of presenting 'honyakugeki' in Japan. It demonstrates that the Japanese theatre had to confront the issue of 'authenticity' once more, but in a radically new way. The thesis also demonstrates that the impact of these productions in Japan had a particular Japanese cultural and social impact, reflecting large issues about the issue of minorities and indigenous people in Japan and about the possibilities of theatre for minorities. In particular the thesis demonstrates that these representations of Aborigines introduced a new image of Australian Aborigines to that which was dominant amongst Japanese anthropologists. / Mode of access: World Wide Web. / 291 p
|
9 |
Clothing their identities : competing ideas of masculinity and identity in Meiji Japanese culture / Title on signature form: Clothing their identities :|bcompeting ideas of masculinity & identity in Meiji Japanese cultureCuly, Anna M. 20 July 2013 (has links)
This is an in-depth analysis of competing cultural ideas at a pivotal time in Japanese history through study of masculinity and identity. Through diaries, newspaper articles, and illustrations found in popular periodicals of the Meiji period, it is evident that there were two major groups who espoused very different sets of ideals competing for the favor of the masses and the control of Japanese progress in the modern world. Manner of dress, comportment, hygiene, and various other parts of outward appearance signified the mentality and ideology of the person in question. One group espoused traditional Japanese ideas of masculinity and dress while another advocated embracing Western dress and culture. This, in turn, explained their opinions on the direction they believed Japan should take. Throughout the Meiji period (1868-1912), the two ideas grew and competed for supremacy until the late Meiji period when they merged to form a traditional-minded modernity. / Department of History
|
10 |
Images de femmes dans la littérature japonaise contemporaine, 1935-1975: cas des nouvelles couronnées par le prix Akutagawa / Images of Japanese women in the Japanese contemporary literature, 1935-1975: short-stories crowned with the Akutagawa PrizeHayashi, Mari 28 February 2008 (has links)
The images of Japanese women in the Japanese contemporary literature (1935-1975) — Short-stories crowned with the Akutagawa Prize<p><p>\ / Doctorat en sciences sociales, Orientation sociologie / info:eu-repo/semantics/nonPublished
|
Page generated in 0.1167 seconds