Thesis (D. Mus. Arts)--University of Washington, 2008. / Vita. Includes bibliographical references (leaves 113-122).

Thesis--Basel. / Vita. Bibliography: p. 435.

Th.--Théologie--Lille--Institut catholique. / Contient un choix de textes de Dom Joliet ainsi que divers documents. Bibliogr. p. 6-23.

Göttingen, Phil. Diss. v. 7. Sept. 1914, Ref. Stimming.

This study looks at Jehan Alain's music itself. However, it does not propose to analyze every bar of every composition but rather to point out certain melodic, rhythmic, and harmonic traits that are peculiar to this composer's style. It will also set forth facts concerning Alain's registrations and other items of special interest to organists. Upon such investigation an attempt will be made to reach a critical evaluation of Alain as a composer for the organ.

No description available.

Farah Pahlavi and Jehan Sadat have both been described as leaders' wives who were Westernized. While this premise is not untrue, to label them as only demonstrating Western actions and having Western ideas denies Iran's and Egypt's women's movements from having any influence upon their lives. The premise of this work is that Farah Pahlavi and Jehan Sadat engaged the historical legacies of the debates concerning women's role in society. Both women have been omitted from the historical narrative because of their identification as a Westernized element in society. This work explores the legacies of the construction of womanhood in Iran and Egypt (via a discussion of the women's movements) and how Farah Pahlavi and Jehan Sadat interacted with their particular countries experiences during their tenure as leader's wives.

Diss.--History--New York university, 2000. / Bibliogr. p. 289-608.

No description available.

No description available.