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Self parody among the cantatas of Johann Sebastian BachDavis, Richard Carroll January 1962 (has links)
Thesis (Ph.D.)--Boston University. / Many of Bach's greatest masterpieces contain movements based on music from earlier compositions. These parodies of previously composed works seemed to require as much, if not more, ingenuity than that required for the composition of fresh musical material. A thorough study, then, of Bach's technique of parody should provide new insight into his music and his methods of composition.
All changes have been listed and classified in an appendix so that references, other than those cited in the text, can easily be made to the published work. References are made, whenever possible, to the edition of the composer's collected works by the Bach Gesellschaft. [TRUNCATED]
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The cantatas of Johann Ludwig BachJaffé, Angela Maria January 1957 (has links)
Thesis (Ph.D.)--Boston University / The purpose of the investigation of Johann Ludwig Bach's seventeen liturgical cantatas and the "Trauermusik" was to establish their position within the historic development of the German sacred cantata between the seventeenth and eighteenth centuries, to study their stylistic and formal characteristics, and to present an objective picture of the work of this generally unknown cousin of Johann Sebastian Bach.
The study of these works was made from microfilms of the original manuscripts now in the libraries of Berlin and Marburg. Texts and chorale melodies were traced through examination of the Bible, collections of sacred poetry, hymnals, and chorale melody collections. Works of a similar character by contemporary composers were analytically examined for comparison and to help place Johann Ludwig's compositions in the overall historic development of the cantata form. Historical and documentary data were obtained from numerous literary sources dating form the early eighteenth century to the present.
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Fichte's world-view as expressed in his philosophical, educational and political writingsCrombie, Bradshaw. January 1996 (has links)
No description available.
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Johann Friedrich König : seine "Theologia positiva acroamatica" (1664) im Rahmen des frühneuzeitlichen Theologiestudiums /Stegmann, Andreas. January 2006 (has links)
Humboldt-Univ., Diss. u.d.T.: Stegmann, Andreas: Johann Friedrich König: Theologia positiva acroamatica (Rostock 1664) - Edition, Übersetzung und Einführung--Berlin, 2005.
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Karl Kraus lecteur de Johann Nestroy : pour une autre vision de l'histoire littéraire et théâtrale /Lacheny, Marc, January 1900 (has links)
Texte remanié de: Thès de doctorat--Études germaiques--Paris 3, 2006. Titre de soutenance : La réception de l'oeuvre de Johann Nestroy par Karl Kraus. / Bibliogr. p. 281-288. Glossaire. Index.
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Fichtes Theorie konkreter Subjektivität Untersuchungen zur "Wissenschaftslehre nova methodo /Crone, Katja. January 1900 (has links)
Texte remanié de : Dissertation : Fachbereich Philosophie und Geschichtswissenschaft : Universität Hamburg : 2003. / Bibliogr. p. [162]-165. Index.
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Johann Caspar Bluntschli Leben, Zeitgeschehen und Kirchenpolitik ; 1808 - 1881Metzner, Carolin January 2009 (has links)
Zugl.: Heidelberg, Univ., Diss., 2009
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Goethes SchöpfungsmythenRavini, Sinziana January 2008 (has links)
Zugl.: Heidelberg, Univ., Diss., 2008
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Religiosität als Bewußtseinsform : Fichtes Religionsphilosophie 1795-1800 /Wittekind, Folkart. January 1993 (has links)
Universiẗat, Diss., 1991/92--München.
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Johann Sebastian Bach als Klang-Redner : die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter InstrumentalfugenPeters, Manfred January 2005 (has links)
Zugl.: Dresden, Techn. Univ., Diss., 2004
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