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Musik als Generationsprinzip von Literatur eine Analyse am Beispiel von Thomas Bernhards Untergeher /Diederichs, Barbara. January 1999 (has links) (PDF)
Giessen, Universiẗat, Diss., 1999.
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"... ich bin sicher, dass ich ihn lieben lerne ..." Studien zur Bach-Rezeption in RusslandZwetzschke, Jana January 2007 (has links)
Zugl.: Essen, Folkwang-Hochsch., Diss., 2007
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The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian BachDu Plooy, Jacobus Stephanus January 1996 (has links)
This study examines the phrasing of J.S. Bach's preludes, toccatas and fantasias for organ. Consequent upon Bach's silence on the subject and the inadequacy of available sources, the cadence has been used as a means to determine the phrasing of these works. The goal of this thesis is to identify those characteristics of the cadence that can assist the performer in two ways: On the one hand, to select the appropriate type of break between phrases, and, the other hand, selecting the appropriate changes in tempo and articulation essential to the shaping of phrases. The term, 'cadence', therefore, applies not merely to an isolated entity of two chords, but rather to a broader formula including the progressions towards and away from it. This investigation follows an eclectic approach. Accordingly, the exploration of various sources is combined with diverse methods of analyses. The first method is a detailed structural analysis of Bach's cadential progressions, and more specifically, the way in which he integrated the basic musical elements into them. This shows the points of tension and relaxation, two musico-psychological effects fundamental to any decision regarding phrasing. The second method puts Bach's cadences within the context of the larger musical structure, including the 'extra-musical' (i.e. grammatical, rhetorical and 'affective') forms. This method organises cadences according to their various punctuation functions, hence main and secondary cadences. The cadences of twenty-eight works - those works of which the authenticity is more or less secure - are analysed. Descriptions cover a selection from these works considered to be the most representative. A significant number of examples, induding performing suggestions, accompany and elaborate in detail on all descriptions of cadences. An application of the findings is presented by an analysis and di scussion that elaborates in detail on the suggested performance of two works, BWV 542 and 541. These two works epitomize, and simultaneously form the culmination of the two principal styles (i.e. the improvisatory and motorically-orientated) prevalent in Bach's free organ works. Examination of the findings of this study and implications for further research conclude this thesis.
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Flute partita a-minor BWV 1013 : arrangement for guitarJokic, Natasa January 2010 (has links)
No description available.
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On Bach's rhythm and tempo /Abravaya, Ido. January 2006 (has links)
Zugl.: Tel Aviv, University, Diss., 1999 u.d.T.: Abravaya, Ido: Studies of rhythm and tempo in the music of J.S. Bach.
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Bach's treatment of the subject of death in his choral musicFoelber, Paul Frederick. January 1900 (has links)
Thesis--Catholic University of America. / Bibliography: p. [427]-431.
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Bach's treatment of the subject of death in his choral musicFoelber, Paul Frederick. January 1900 (has links)
Thesis--Catholic University of America. / Bibliography: p. [427]-431.
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A comparison of Hindemith's Ludus tonalis with Bach's Well-tempered clavierPautz, Zane, Hindemith, Paul, January 1953 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1953. / Typescript. Score of Hindemith's Ludus tonalis (London : Schott & Co. ; New York : Associated Music Publishers, c1943) bound in. Includes bibliographical references (1 leaf at end).
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Performing the Bach cello suites on the viola /Turnbull, Catherine. January 2006 (has links) (PDF)
Thesis (M. Mus.) - University of Queensland, 2006. / Includes bibliography.
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Applications of Reductive Analytical Techniques in the Phrygian Settings of the Orgelbüchlein by J.S. BachLeite, Zilei de Oliveira 05 1900 (has links)
This study aims to two problematic aspects of the Phrygian mode: a. the development of a harmonic pattern at the cadence that differs from that of the other modes and of the major and minor modes as well; b. the observation that the Phrygian scale inverts all of the intervallic properties of the Major scale. The result of these two observations is that when the reductive techniques of Heinrich Schenker are applied in the Phrygian repertory, melodic and harmonic properties are brought into conflict with each other. However, application of alternative models of the Ursatz developed by Lori Burns has certain benefits for demonstrating musical properties in the Phrygian repertory.
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