71 |
The linguistic basis of stream of consciousness in James Joyce's Ulysses.Briones, Maria Annette. January 1973 (has links)
No description available.
|
72 |
Between two roaring worlds : personal identity in James Joyce's UlyssesButts, Gerald Michael. January 1995 (has links)
No description available.
|
73 |
The self in conversation : James Joyce's UlyssesBarron, Graham January 1991 (has links)
No description available.
|
74 |
Author--Ulysses--readers : seduction in the gapsClissold, Bradley January 1994 (has links)
No description available.
|
75 |
James Joyce's Judaic "other" text and contents /Reizbaum, Marilyn. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1985. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 170-188).
|
76 |
The recurrence of rhythm: configurations of the voice in homer, plato and joyce.Martin, William, School of English, UNSW January 2007 (has links)
The Recurrence of Rhythm is an inquiry into the notion that the voice flows ??? a theme that continually recurs in the Homeric poems, Plato's Cratylus and James Joyce's A Portrait of the Artist as a Young Man and Ulysses. Through a re-interpretation of the meaning of rhythmos in pre-Socratic philosophy, I define rhythm as the particular manner in which the voice is flowing, and argue that it is the specific quality of phonetic writing to represent the flowing aspect of the voice. The Greek concept of rhythmos is held to be inseparable from the invention of phonetic writing and the transcription of the Homeric poems, and it is this new definition of rhythm that allows the thesis to engage in contemporary debates concerning the relationship between speech and writing (as developed by Derrida, Ong, Havelock, Parry, Lord and Prier). I also argue that the Platonic concept of rhythm qua metre provides an essential point of mediation between the Greek oral tradition and the history of Western literature, a move that sets the scene for a comparative study of Homer and Joyce. By developing an original concept of recurrence that pertains to both the repetition of themes in the Homeric poems and the heroic experience of living for the sake of the story, this thesis proposes that rhythm and recurrence are interrelated concepts that distinguish the lyrical and dramatic modes that structure the epic form of narrative found in both Homer's poems and Joyce's novels. Drawing upon the esthetic philosophy of Stephen Dedalus, I develop the dialectical theory of genre first outlined by Joyce in the Paris notebook, and argue that the latent lyricism contained in the narrative style of A Portrait is a proto-typical form of the interior monologue found in Ulysses. In opposition to the early modernist paradigm of Joyce criticism, this thesis rejects the notion that mythic archetypes function as Platonic ideals (i.e. the transcendent form of the modernist artwork), but rather holds that heroic themes recur in the mental stream of the modern subject, and manifest themselves immediately through Joyce???s use of the interior monologue technique.
|
77 |
James Joyce's critique of "Faubourg Saint Patrice" : Ulysses, the Catholic Panopticon, and religious dressageNelson, John C. M. 02 May 1997 (has links)
In his works, A Portrait of the Artist as a Young Man (1916) and Ulysses
(1922), James Joyce demonstrates what he perceives to be the paralyzing effects of
those institutionalized religions that sit at the center of cultures. Drawing on Michel
Foucault's analysis of institutional dressage as well as his use of Jeremy Bentham's
Panopticon prison in Discipline and Punish (1981), this thesis argues that Joyce's
portrait of the Catholic Church's influence on Irish culture is his attempt to display its ubiquitous and inextricable power. In both works, Joyce focuses on the internalization of this power which emanates from the physical manifestations of the Church's presence, the strict tenets of its doctrine, and its concept of an omnipotent, omniscient God who, embodied in an individual's conscience, becomes the perfect "surveillant."
Tracing the influence of Catholic dressage on his first protagonist, Stephen Dedalus, who unequivocally abandons the Catholic faith in A Portrait, Joyce reveals the overwhelming power that the Church held over the cultural consciousness of Ireland,
an influence rivaled solely by the British colonial powers. Similarly, in Ulysses, Joyce
introduces Leopold Bloom, the Jewish Other, who stands outside the institutional
structure of the Church and provides a removed but critical perspective on the Catholic
rituals and beliefs which, according to Joyce, were intricately woven into the Irish
Weltanschauung. Indeed, while Joyce's critique of the Church's power is clearly evident in the narrative of the novel, in a larger context this criticism is directed at the stifling effects of all institutional powers on individual consciousness.
Similarly, Foucault's cultural theories examine the intricacies of such power within a culture and their effect on the individual, who, in short, is a product of these elements. This thesis explores these dynamics in Joyce's works to further understand his position as one of the central novelists of the twentieth century. / Graduation date: 1997
|
78 |
From Pemberley to Eccles Street : families and heroes in the fiction of Jane Austen, Charles Dickens, and James Joyce /Citino, David, January 1974 (has links)
Thesis (Ph. D.)--Ohio State University, 1974. / Includes bibliographical references (leaves 297-302). Available online via OhioLINK's ETD Center.
|
79 |
Creative criticism : the example of James Joyce /Gao, Wei Zhi, January 2006 (has links)
Thesis (Ph. D.)--University of Washington, 2006. / Vita. Includes bibliographical references (leaves 224-234).
|
80 |
Vorstellungsweisen künstlerischer Transformation : Naturwissenschaftliche Analogien bei Aldous Huxley, James Joyce und Virginia Woolf /Menninghaus, Sabine. January 2000 (has links)
Dissertation--Münster--Universität, 1999.
|
Page generated in 0.0326 seconds