Inaug.-diss.--Halle. / Vita.

Typescript. / Bibliography: leaves 133-140. / Microfiche. / xi, 140 leaves ill

Inaug.-diss.--Bonn. / Lebenslauf. Studies of the Middle English lives of the saints "Juliane", "Margarete", and "Katharine", and of the "Hali meidenhad."

Inaug.-diss.--Bonn. / Lebenslauf. Studies of the Middle English lives of the saints "Juliane", "Margarete", and "Katharine", and of the "Hali meidenhad".

Beowulf's contest with Grendel has universally been read as an assertion of heroic agency. Yet as I demonstrate, this purportedly neutral convention derives from the misreading of a riddle design that invites and then disrupts expectation in the accidental denouement of Grendel's self-destruction. As an alternative to heroic misprision, I locate Beowulf's salient analogues in the poetic hagiographies, Andreas and Juliana. Within these poems I demonstrate a distinctive Christian critique, which defines heroic order through its assertion of loyalty to insiders and enmity to outsiders, and aligns with René Girard's anthropology in marking enmity both as a source of social cohesion and instability. I also demonstrate a distinctive "crossover poetics" that switches godly and demonic attributes between the opposed communities. As this crossover design gives rise to tropes of heroic-hagiographic hybridity, it exposes a biblical prophetic distinction between the physical realm of objects, actions, and words, and the metaphysical realm of emotional, ethical, and relational principles--a distinction by which the poem locates the origin of enmity in the idolatrous gestalt of egoistic materialism and the origin of loyalty in the covenant ethos of transcendent affiliation. This crossover design, moreover, functions in rapprochement with heroic culture, to affirm the godliness of loyalty and reject demonic enmity, while also interrogating the idolatrous potentiality of Christian discourse. As an alternative to the instabilities marked within heroic social order, the hagiographies offer a new social order based in a two-fold conception: a Christological model that entails compassion for enemies and self-sacrificing obedience to the covenant ethos, and a prophetic model that resists violent contagion through egoistic effacement, entailed in acts of divine praise and benevolent prayer. Lacking these redemptive disciplines, Beowulf's pagan fictive world nevertheless incorporates the same hagiographic critique, but through dystopian patterns of demonic inversion. Thus, Beowulf synthesizes the cardinal hagiographic elements--the same narrative arcs, lexical patterns, and crossover poetics--in a drama that schools its audience in prophetic discernment: to see the essential, defining reality beneath the surface of human events and to recognize patterns of divine retribution as paradoxical enactments of demonic self- destruction.

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Memoria para optar al grado de Licenciado en Ciencias Jurídicas y Sociales / La mayor parte del debate igualitarista ha girado en torno al problema de la métrica de la igualdad. Numerosas respuestas han surgido a la pregunta sobre la ¿igualdad de qué? En el marco de la discusión igualitarista, la felicidad, el bienestar, las oportunidades de vida o una combinación de estos y otros factores han sido propuestos como criterios para medir la justicia. Sin embargo, muy poco se ha escrito respecto de la igualdad a través del tiempo. Los autores igualitaristas deben clarificar la unidad temporal de los juicios distributivos. ¿Es la vida completa de las personas o un segmento de tiempo la unidad de interés igualitario? Lo anterior cobra especial importancia si consideramos la longevidad de la población en Occidente, y en particular en nuestro país. El presente trabajo tiene como objetivo general plantear y evaluar críticamente los argumentos que se han esgrimido para sostener la perspectiva de vidas completas, perspectiva empleada por defecto por los autores igualitaristas, para después contrastarla con la perspectiva de segmentos de tiempo. Dicho debate nos permitirá dilucidar los principios de justicia que deben guiar a las instituciones sociales que realizan distribuciones entre personas que pertenecen a distintos grupos de edad. Luego, se emplearán los criterios de distribución señalados al problema específico de la institucionalidad de la previsión social

This dissertation centres on the classification of artists’ books based on the qualities they possess as works of art as well as the intimate engagement required by the reader in order to experience such works in their entirety. Among the qualities investigated are intimacy through the use of novelty devices, haptics, text, narrative and concrete systems, space, and shape. These qualities are exemplified through works by Estelle Liebenberg-Barkhuizen and Cheryl Penn. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2013.

My thesis explores how female writers of the Golden Age of children’s literature used their domestic stories to convey their visions of a more desirable society to their child readers, and thus to widen their influence beyond the homely sphere. My first chapter reconsiders the nineteenth-century historical circumstances wherein the woman and the child came to be constructed and enshrined as the domestic woman and the Romantic child within the home, and excluded from the public discourses. I then consider how in domestic stories women writers tried to overcome this shared deprivation of autonomy with the child, focusing on the works of Charlotte Yonge, Juliana Ewing, and Mary Louisa Molesworth. It emerges that these women writers were all keen to encourage their young readers to question the boundaries that separate home from the public realm, and to imagine a society wherein these dividing lines would be mitigated and even be extinguished. The thesis argues that these female writers’ literary efforts to exhaust the potential of the domestic story, and that their motivation to provide their child readers a sense of agency were integral in the development of Golden Age children’s literature. Charlotte Yonge’s technique of evoking sympathy for the child characters forged a more intimate relationship between adult author and young reader, and initiated the unsettling of the hierarchy between old and young, and author and reader. Juliana Ewing’s experiments with child narrators and her mingling of adventure and fantasy stories with domestic stories showed successive writers the various directions the domestic story could go. Mary Louisa Molesworth’s nursery stories realized the purpose of Ewing’s literary experiments, as her stories’ natural interweaving of quotidian nursery and fairy tale elements not only alleviated the hierarchy between fantasy and domestic realism, but also opened an era in which the blending of these two modes would become one of the most popular genres in children’s literature.

Music Culture of the Elisabethan Convent in Prague Jakub Michl Abstract The Sisters of Saint Elizabeth (Elizabethan Nuns) were a spiritual order primarily focused on administering healthcare. Therefore, music was never the main focus of the order's activities, as it often was in others, particularly educational orders. However, thanks to the uninterrupted historical continuity of the Prague convent, which was exempted from the restrictions of Joseph II's era, many sources illustrating the convent music culture were preserved, including an extensive collection of music. The dissertation aims to describe this music culture in the context of the order structure and its personal hierarchy, as part of the city of Prague and its civic institutions, and in its everyday life and characteristics such as enclosure, hospital service and recreational activities. Music in convents was always tightly bound to liturgy. In the case of the Elizabethan order, significant music production was focused on the order's main liturgical feasts such as S. Elizabeth, S. Francis of Assisi, Porciuncula, Christmas, Epiphany, Easter and also memorial services for deceased patrons of the convent. The convent cooperated with many lay musicians and composers such as F. X. Brixi, Z. V. Suchý, F. X. Labler, J. N. Bayer, among others. At the...