Zugl.: Kassel, Univ., Diss., 2005

Univ., Diss.--Potsdam, 2004. / Literaturverz. S. 121 - 127.

Thesis (doctoral)--Universität Würzburg, 1985. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 317-320) and index.

Thesis (doctoral)--Universität Würzburg, 1985. / Includes bibliographical references (p. 317-320) and index.

Texte remanié de: Diss.--Geschichtswissenschaften--Frankfurt am Main, 1980-1981. / Bibliogr. p. 170-185. Index.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

Dissertação (mestrado)—Universidade de Brasília, Programa de Pós-Graduação em História, 2013. / Submitted by Alaíde Gonçalves dos Santos (alaide@unb.br) on 2014-06-04T13:41:46Z No. of bitstreams: 1 2013_WalkiriaOliveiraSilva.pdf: 937333 bytes, checksum: 43c619bd4e77ba2c02d85a03a5573b30 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2014-06-04T14:38:54Z (GMT) No. of bitstreams: 1 2013_WalkiriaOliveiraSilva.pdf: 937333 bytes, checksum: 43c619bd4e77ba2c02d85a03a5573b30 (MD5) / Made available in DSpace on 2014-06-04T14:38:54Z (GMT). No. of bitstreams: 1 2013_WalkiriaOliveiraSilva.pdf: 937333 bytes, checksum: 43c619bd4e77ba2c02d85a03a5573b30 (MD5) / Esta dissertação objetiva analisar como a obra de Ernst Kantorowicz, Kaiser Friedrich der Zweite, relaciona-se com a fundamentação da identidade nacional alemã durante os anos da República de Weimar. Ernst Kantorowicz foi membro do Círculo de Stefan George, um dos principais movimentos culturais da Alemanha durante as três primeiras décadas do século XX. Por isso, é indispensável apresentar as contribuições do Círculo de Stefan George para as discussões acerca da História e de sua escrita. A análise da obra de Kantorowicz encontra-se indissociada das propostas vinculadas pelo Círculo de Stefan George. Este trabalho está divido em três capítulos: o primeiro abarca o poeta, Stefan George, e a formação de seu Círculo. O segundo apresenta as ideias do Círculo sobre o conhecimento histórico e os principais conceitos formulados por alguns membros do Círculo de George. O último analisa a obra de Kantorowicz a fim de observar como a biografia do Imperador Frederico II contribuiu para a fundamentação e reinterpretação da identidade nacional alemã e como se relaciona com a escrita da história do Círculo de Stefan George. _______________________________________________________________________________________ ABSTRACT / The present dissertation aims to analyse Ernst Kantorowicz’s work, Kaiser Friedrich der Zweite, published in 1927, and its relation to the German national identity’s substantiation during the Weimar Republic. Ernst Kantorowicz was a member of the George Circle, one of the most important cultural movements in Germany during the first three decades of twentieth century. Taking in account his contributions to the George Circle on the debate on History and historiography, the analysis of Kantorowicz’s work should be inseparable of the ideas of the George Circle. This work is divided in three chapters: the first one presents the poet, Stefan George, and the formation’s process of his Circle. The second shows the ideas of the Circle about the historical knowledge and the main concepts formulated by some members of the George Circle. The last one analyses Kantorowicz’s work in order to observe how the biography of the Emperor Frederick II contributed to found the ground and reinterpretat the German national identity in its relation to the historiography of the George Circle.

No description available.

This thesis examines the thought of Joan of Arc for categories of identity paving the way to modern nationalism. The underlying model for this undertaking is Ernst Kantorowicz's theory of the increasing depersonalization or abstractness of power. With this model as a guide, this thesis proposes a set of categories of identity on which the process of change put forward by Kantorowicz can be tracked. The thesis then classifies, against this backdrop, the individual categories as either progressive, i. e. abstract, or concrete, i. e. dependent on the older ideas of power and kingship, arguing that the concrete categories may be associated with the principles of popular mentality as described by Aron Gurevich. It turns out, however, that clear-cut criteria distinguishing concrete and abstract categories are difficult to establish and, at the end of the day, we have to settle for a simplifying and not entirely satisfactory classification. The analytical part of the thesis then examines what instances of categories of identity can be found in the minutes of the interrogation of Joan of Arc. The overwhelming majority of these categories of identity, it turns out, fall under the 'concrete' label. Such a result seems to correspond very well with the Gurevichian idea of difference, although by no means an absolute...