Diss.--Philosophische Fakultät--Köln--Universität Köln, 1993.

Diss.--Geisteswissenschaftliche Fakultät--Universität Wien, 1997. / Bibliogr. p. 734-781.

This study examines Ludwig Zinzendorf’s political economy and the intellectual inspiration of his thinking. Zinzendorf, a protégé of Kaunitz, was a sophisticated economic thinker in the mid eighteenth-century Habsburg monarchy who was part of the wider intellectual movement in Europe dedicated to understanding political economy and presenting it as an independent and important activity. Self- educated, polyglot and hard-working, Zinzendorf was formidably well read and impressively numerate. His output was detailed and analytical. With an exceptionally wide knowledge, he offered a more original way to discuss the economy than the essentially didactic approach of cameralist writers. He was a reformer dedicated to propagating the most advanced European ideas and practices. This study is divided into five chapters: chapter one covers the relationship between Zinzendorf and Kaunitz and Zinzendorf’s formative years in France from 1750 to 1752. The influence of French economic thinkers on Zinzendorf’s intellectual development, Jean-François Melon and Vincent de Gournay in particular, is the subject of chapter two. Chapter three is devoted to Zinzendorf’s German translation of John Law’s Money and Trade. The development of Zinzendorf’s ideas on state credit, notably the creation of a new stock exchange and political bank in the monarchy, modelled on the Bank of England, is discussed in chapter four. The final chapter examines how Zinzendorf operated as a sophisticated financial expert in the monarchy. He sought to provide a different kind of economic advice and attempted to open-up government to new concepts on the economy. He was influenced by the important contribution in France made by Gournay and his circle of writers in disseminating foreign ideas by publishing in French a range of economic texts from rival nations. Zinzendorf, it is argued, attempted to apply a moderate format of Gournay’s initiative in the monarchy.

Cette thèse porte sur la carrière musicale de Joseph Kohaut (1734–1777), l’un des derniers luthistes dans l’Europe des Lumières. Appartenant à la deuxième génération des musiciens originaires des pays de la couronne de Bohême, ce luthiste, né à Vienne et décédé à Paris, représente un cas intéressant de la migration des musiciens au XVIIIe siècle. L’étude se consacre à la présentation des origines et de la famille proche du musicien (son père Jacob Joseph Kohaut et son frère aîné Karl Kohaut), ainsi qu’à la carrière musicale du luthiste proprement dite. Le patronage aristocratique s’y révèle le moteur principal aussi pour son œuvre, y compris ses opéras comiques qui contribuèrent à la notoriété de Kohaut également en déhors de la France. Enfin, cette étude traite les œuvres des deux frères Kohaut en s’intéressant aux attributions douteuses et propose un catalogue thématique du corpus entier indexant toutes les sources connues. / This thesis focuses on the musical career of Joseph Kohaut (1734–1777), one of the last known lute players in Europe of the Enlightenment. Belonging to the second generation of the musicians originated from the Czech lands, this lutenist, born in Vienna and dead in Paris, represents an interesting case of the migration of musicians in the 18th century Europe. After having examinated the origines of the musician and his close family (his father Jacob Joseph Kohaut and his older brother Karl Kohaut), the study analyses his own musical career. The aristocratic patronage becomes apparent as an important reason for his musical production, including his comic operas that made him famous also outside France. Finally, this study addresses the compositions of both brothers Kohaut, taking interest in problematic attributions, and offers a thematic catalogue of all works registering their all known sources.