Thesis (M.A.)--University of Wisconsin--Madison, 1974. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Texte remanié de: Diss. Ph. D.--Department of central Eurasian studies--Bloomington--Indiana University, 2000. / Bibliogr. p. 371-388.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1982. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 765-779).

The Khan Variations is the first work for solo marimba by Argentinean composer Alejandro Viñao (b.1951). Since publication in 2001, Khan Variations has been performed at many international percussion festivals and is often a repertoire choice for performers in the final round of numerous marimba competitions. This thesis and accompanying lecture recital provide a supplemental guide to Alejandro Viñao's Khan Variations, focusing on analytical and structural theory, as well as performance practice, thus filling the void of information on this piece in the percussion community. Khan Variations was jointly commissioned by twelve of the world's prominent marimba performers and educators, including: Michael Burritt, Jack Van Geem, William Moersch, Robert Van Sice, and Nancy Zeltsman. The project organizer of the Khan Variations commission was Nancy Zeltsman, Chair of the Percussion Department at the Boston Conservatory and a leader in the field of commissioning new marimba works. Utilizing William Moersch's organization New Music Marimba as the financial conduit, Zeltsman and her group issued this commission in 1999. Alejandro Viñao studied composition with the Russian composer Jacobo Ficher in Buenos Aires, and Viñao later went on to complete his doctorate in composition from City University in London. His works span the genres of opera, choir, orchestra, electroacoustic chamber music, and more than twenty film scores. Viñao's composing style is influenced by Mexican-American composer Conlon Nancarrow and Islamic religious music known as Qawwali. Alejandro Viñao's works typically contain complex rhythmic structures and use rhythm as the main element for musical form and development. The impetus for this thesis is to provide a musical analysis and performance guide for The Khan Variations by Alejandro Viñao. This thesis also illuminates the significance of the joint commission led by Nancy Zeltsman, and highlights the influences and inspirations of Alejandro Viñao as a rising composer of international renown.

The problem with which this study is concerned is analysis of the criticism of Samuel Taylor Coleridge's "Kubla Khan." This poem, one of the poet's most widely anthologized poems, has been the subject of forty-five articles. The poem has also been treated extensively in a number of books. The criticism is divided into three categories: psychological, literary, and archetypal.

Thesis (M.A.)--Zhongguo wen hua xue yuan. / Reproduced from typescript. Bibliography: leaves 123-126.

No description available.

In 1281 C.E., under the rule of Kublai Khan, the Mongols sent a fleet of more than 4000 vessels to subjugate the island nation of Japan. A powerful typhoon, called kamikaze, dashed the invading fleet into pieces on the shores of Japan and thus saved the nation from foreign rule. Historical sources suggest there were three principal vessel types involved in this event: V-shaped cargo ships for transporting provisions to the front, constructed in China’s Fukien Province; miscellaneous flat and round bottomed vessels made along the Yangtze River; and flat bottomed landing craft from Korea. In the recent past, the remains of the fleet were discovered at the Takashima underwater site in western Japan, unveiling numerous artifacts including weaponry, shipboard items, and sections of hull; however, between 1281 and the late twentieth century the site has seen major disturbances, and the artifacts are often in poor condition. Because the site contains the remains of ships built in China and Korea, the interpretation of the artifacts is also extremely complex. In order to determine the origin of the vessels, a logical framework is necessary. The author has created a timber category database, analyzed methods of joinery, and studied contemporary approaches to shipbuilding to ascertain the origins and types of vessels that composed the Mongol fleet. Although no conclusive statements can be made regarding the origins of the vessels, it appears that historical documents and archaeological evidence correspond well to each other, and that many of the remains analyzed were from smaller vessels built along the Yangtze River Valley. Large, V-shaped cargo ships and the Korean vessels probably represent a small portion of the timbers raised at the Takashima site. As the first research project of its kind in the region, this study is a starting point for understanding the real story of the Mongol invasion of Japan, as well as the history of shipbuilding in East Asia.

Thesis--University of Lucknow. / Bibliography: p. [261]-279.

Thesis--University of Lucknow. / Bibliography: p. [261]-279.