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Submitted by Noeme Timbo (noeme.timbo@metodista.br) on 2017-01-25T13:38:43Z No. of bitstreams: 1 Paulo Cruz.pdf: 1065817 bytes, checksum: c89d4c886e6d9f4f04095b666ec92c44 (MD5) / Made available in DSpace on 2017-01-25T13:38:43Z (GMT). No. of bitstreams: 1 Paulo Cruz.pdf: 1065817 bytes, checksum: c89d4c886e6d9f4f04095b666ec92c44 (MD5) Previous issue date: 2016-03-18 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This paper presents a study on C. S. Lewis’ Space Trilogy — that embraces Out of the Silent Planet, Perelandra, and That Hideous Strength. We analize the theological concepts used by the author, specially the Original Sin doctrine and its relations with the concept of moral imagination, developed by the american thinker Russell Kirk. / O presente trabalho apresenta um estudo da obra Triologia Cósmica de C. S. Lewis — composta pelas obras Além do Planeta Silencioso, Perelandra e Essa força medonha —, analisando os conceitos teológicos utilizados pelo autor, sobretudo a doutrina do Pecado Original, e suas relações com o conceito de Imaginação Moral, desenvolvido pelo filósofo americano Russell Kirk.

This rhetorical analysis of a contemporary and historical social movement, American conservatism, through a prominent intellectual figure, Russell Kirk, begins with a description of the author's work. Ideologies, arguments, and sentiments are considered as implicit rhetoric, where social relations are defined by persuasion, ideas, historical appeal, persona, and various invitations to shared assumptions. First, a descriptive historical context is the foundation to explore the beliefs, communicative strategies, and internal tensions of the conservative movement through the development of various identities and communities during its rise as a formidable political power. Second, an analysis of the author and the author's texts clarifies argumentative and stylistic choices, providing a framework for his communicative choices. The thesis of this discussion is that the discourses implicit and explicit in the author's writing and conduct of life were imaginative and literary products of what he termed "moral imagination." How this imagination developed, and its impact upon his persuasion, was a unique approach not only to an emergent intellectual tradition but also to the disciplines of history, fiction, policy, and audience. This work argues there were two components to Kirk's rhetoric of moral imagination. First, his choosing of historical subjects, in biographical sketch and literary content, was an indication of his own interest in rhetorical efficacy. Second, he attempted to live out the sort of life he claimed to value. I argue he taught observers by an ethos, an endeavor to live a rhetorical demonstration of what he genuinely believed was good. As demonstrated by what many who knew Kirk identified as an inner strength of character and conduct, his rhetorical behavior was motivated by a love for and a curiosity toward wonder and mystery. By an imaginative reading of history, his exemplars of more properly ordered sentiments of a moral order sought to build communities of associational, relational persons that found identity in relation to other persons. His ambition was to explore and communicate what it meant to be human - in limitation, in promise, and in the traditions and customs that provide a framework for "human" in a culture.

This thesis investigates the geography in and of Victorian scientific practice by examining the Zambesi Expedition (1858-1864), which was led by the Scottish explorer David Livingstone. A team of assistants accompanied Livingstone: Dr. John Kirk, Dr. Charles Meller, Thomas Baines, Richard Thornton and Charles Livingstone. The official purposes of this expedition, funded by the British Foreign Office, were to catalogue the natural resources of the regions adjacent to the Zambezi River in order to identify new sources of raw materials for British industry and to introduce commercial markets to supplant the slave trade. The scientific results of the Zambesi Expedition have never been catalogued. Only limited attention has been paid to the ways in which science was made in the field and how it returned to Britain In order to address these issues, a survey was made of relevant scientific literature to identify published analyses of the data and specimen collections produced by the Expedition’s staff. Extant specimen collections were located and examined along with archival records and correspondence. The combined manuscript and material evidence reveals that scientific concerns were an important justification for the Expedition. Fieldwork practices are examined in depth and an ideology of technology, expressed in different ways, is shown to have structured the encounters between the British and the locals. The Expedition’s members based their assumed superiority upon technological skill, especially their abilities to understand the environment and to command power—in terms of steam navigation, instrumental authority and the naming of natural productions. Power differentials were apparent in the field when the information possessed by local informants was required for the success of the scientific goals of the expedition. Credibility in the field became a tenuous quality negotiated between local informants, explorers and the metropolitan scientific community. The expedition’s members, as interpreters, were required to navigate the social and physical spaces of the field and the metropolis in order to produce and present credible knowledge. The thesis examines for the first time elements of the reception of the expedition by considering the publication of its scientific results. Critics’ voices are used to uncover those attitudes of the time that judged explorers—and this expedition—according to their prior experiences, social connections and field skills. The work of the Expedition, then, was performed in different spaces and at different scales; operating within and between the field and metropolis and actively linking local practices to global networks. These multivalent practices enabled and circumscribed a British construction of African nature.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.

Beginning with the first European colonists in the New World, captivity has been means of cultural exchange between whites and Native Americans. The narratives recounting the captives’ experiences became popular literature which inspired visual artists who reinterpreted the tales to coincide with their cultural needs. In the early twentieth century, progressive reformer, William Pryor Letchworth, hired artist Henry Kirke Bush-Brown to create a sculpture of captive Mary Jemison who, instead of returning to her natal culture, chose to stay among the Seneca becoming fully assimilated. Aligning with their progressive values, their perception of her character is reflected in the Mary Jemison Monument. The monument creates an image of the ideal woman, immigrant, and Native American who holds and practices white middle-class values of strength, independence, and determination. Exemplifying these American values, the sculpture accesses an American identity emphasizing the acceptance and practice of these supposedly American traits. Immigrants and Native Americans could become fully Americanized by adopting these characteristics and leaving their traditional ways behind. Contingent on their assimilation of white middle-class values, the perceived problems facing a diversified society could be eliminated. In so doing, a more harmonious America aligning with Letchworth’s beliefs could be created.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

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Analysing the repeated debates within American conservatism over the place of Abraham Lincoln within American history.