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1	Anonymitet och intensifierad kontinuitet : Klassisk stil och form i <em>Hämnarens resa</em> / Anonymity and intensified continuity : Classical style and form in <em>Sympathy for Mr. Vengeance</em> Damm, Andreas January 2009 (has links) <p>The intention with this essay is to investigate how the narration of the South Korean film <em>Sympathy for Mr. Vengeance</em> (Park Chan-wook, 2002) relates to the Hollywood pictures of today. An important change which David Bordwell pays attention to is an intensifying of former stylistic paradigms in what he denominates as intensified continuity. That said, Bordwell and Kristin Thompson are in agreement on that the new films still are predominantly classical. The neoformalistic standpoint which Thompson and Bordwell use appears however to contain some problematic implications. Their way of categorizing films as classical, critics maintain, could only result in empty shells of formal parameters. The essay is built upon investigating three areas: plot, narration and style. The result of this study indicates that <em>Sympathy for Mr. Vengeance</em> remains within the classical characteristics, as well as differentiates on certain matters. However, appropriate conclusion needs taking into account also some of the difficulties and critiques targeting the neoformalistic take on style.</p> style narration neoformalism film Park Chan-wook stil stilanalys klassisk film narration neoformalism film form Park Chan-wook Film Filmvetenskap
2	Anonymitet och intensifierad kontinuitet : Klassisk stil och form i Hämnarens resa / Anonymity and intensified continuity : Classical style and form in Sympathy for Mr. Vengeance Damm, Andreas January 2009 (has links) The intention with this essay is to investigate how the narration of the South Korean film Sympathy for Mr. Vengeance (Park Chan-wook, 2002) relates to the Hollywood pictures of today. An important change which David Bordwell pays attention to is an intensifying of former stylistic paradigms in what he denominates as intensified continuity. That said, Bordwell and Kristin Thompson are in agreement on that the new films still are predominantly classical. The neoformalistic standpoint which Thompson and Bordwell use appears however to contain some problematic implications. Their way of categorizing films as classical, critics maintain, could only result in empty shells of formal parameters. The essay is built upon investigating three areas: plot, narration and style. The result of this study indicates that Sympathy for Mr. Vengeance remains within the classical characteristics, as well as differentiates on certain matters. However, appropriate conclusion needs taking into account also some of the difficulties and critiques targeting the neoformalistic take on style. style narration neoformalism film Park Chan-wook stil stilanalys klassisk film narration neoformalism film form Park Chan-wook Film Filmvetenskap

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Anonymitet och intensifierad kontinuitet : Klassisk stil och form i <em>Hämnarens resa</em> / Anonymity and intensified continuity : Classical style and form in <em>Sympathy for Mr. Vengeance</em>

Anonymitet och intensifierad kontinuitet : Klassisk stil och form i Hämnarens resa / Anonymity and intensified continuity : Classical style and form in Sympathy for Mr. Vengeance