81 |
Machtspruch und Gesetzesherrschaft : das Staatsverständnis in Heinrich von Kleists "Prinz Friedrich von Homburg" /Schmon, Simone. January 2007 (has links)
Univ., Jur. Fak., Diss.--Heidelberg, 2006.
|
82 |
Tradition und Emanzipation in den Frauengestalten bei Heinrich von KleistEvans, Ilselore. January 1978 (has links)
No description available.
|
83 |
Selbstreflexion der Literatur Studien zu Dramen von G.E. Lessing und H. von Kleist /Homann, Renate. January 1900 (has links)
The author's Habilitationsschrift, Universität Konstanz. / Includes indexes. Includes bibliographical references (p. 427-442).
|
84 |
Das Wesen des Tragischen im Drama Heinrichs von KleistStrohschneider-Kohrs, Ingrid. January 1951 (has links)
Diss.--Hamburg, 1948. / Without thesis note. "Literatur": p. 135-138.
|
85 |
"Des Gedankens Senkblei" Studien zur Sprachauffassung Heinrich von Kleists 1799-1806 /Kapp, Gabriele. January 1900 (has links)
Thesis (doctoral)--Bochum, 1999. / Includes bibliographical references (p. 427-447).
|
86 |
Tradition und Emanzipation in den Frauengestalten bei Heinrich von KleistEvans, Ilselore. January 1978 (has links)
No description available.
|
87 |
Das schwarze Unternehmen : zur Funktion der Verschwörung bei Friedrich Schiller und Heinrich von Kleist /Hahn, Torsten. January 2008 (has links)
Univ., Habil--Köln, 2007.
|
88 |
Heinrich von Kleist : an interpretation of his works in relation to his life and mindBrown, W. N. January 1952 (has links)
No description available.
|
89 |
Moral und Motivation im Werk Heinrich von KleistsDeissner, David January 2007 (has links)
Zugl.: Oxford, Univ., Diss., 2007
|
90 |
The bodies of Kleist : aspects of corporeality in his dramatic worksPollard, Matthew. January 1997 (has links)
This dissertation examines the representations of the body in the completed dramatic works of Heinrich von Kleist (1777--1811). While taking into account the psychoanalytical and philosophical approaches to Kleist, this project has Heiner Miller's words as its point of departure: that the theater represents the collision of ideas with the body. The forces of power, gender and authority leave their traces of this collision on the bodies of his characters, whose metaphorical and literal falls, wounds and recoveries speak their own gestural language. / This study is organized on the principle of Kleist's use of genre designation, the approximate chronological order of his plays, and the representation of the body. Chapter one focuses on Die Familie Schroffenstein, Der zerbrochne Krug, and Amphitryon and the notion of bodily authenticity and integrity; chapter two, on Die Hermannsschlacht and Penthesilea, looks at the spectacle of violence and its effect on the body mobilized by emotional extremity; the third chapter, on Kleist's most celebrated works, Prinz Friedrich von Homburg and Das Kathchen von Heilbronn, examines aspects of gender and vulnerability. The conclusion views his essay "Uber das Marionettentheater" not as a key to understanding his works, but rather as a culmination of them, and investigates Kleist's writing on the wounded body and its connection to grace.
|
Page generated in 0.0691 seconds