Bibliography: leaves 173-188. / vii, 188 leaves : ill. ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, Dept. of Statistics, 1994

One of the fundamental concerns of developmental psychology is the nature of continuity and change across development. The present study investigated the continuity of social competence across developmental periods, paying special attention to the transition from middle childhood to adolescence. Using a birth cohort of youths (277 males, 315 females), I examined the stability of social competence across developmental periods, assessed the relation between quality of early parenting and later competence, and tested how timing of pubertal maturation and school transition impact the stability of social competence, using both variable-centered and person-centered analyses. It was expected that social competence would be highly stable across development, but less stable across the transition to adolescence, and that higher quality parenting would predict greater competence among males and females. Furthermore, I expected that pubertal maturation and school transition would deflect trajectories of social competence over time, accentuating individual differences (e.g., socially competent youths would become more competent, whereas incompetent youths would become less competent). As expected, the nature of social competence was fairly stable from early childhood to adolescence, although there is evidence that social competence is less stable as youth transition from early childhood to middle childhood and from middle childhood to adolescence. Moreover, individuals with warm parenting evinced greater social competence across time. Consistent with my hypothesis, off-time pubertal maturation and school transition accentuated individual differences in social competence, increasing social competence among more competent youths, and further diminishing social competence among less competent youths. Finally, I find evidence that experiencing both off-time pubertal maturation and a school transition simultaneously incurred more risk for females, particularly among less competent females, than experiencing only off-time maturation or a school transition. / Psychology

When people 'go to the theatre' we know that they are audiences. When young people go to Contact, however, they might be audiences, performers and/or theatre makers - they might play all three or more roles. Contact's users blur existing concepts and terminology. When we want to know more about theatre audiences, audience research offers models based on the distinction between audiences and theatre makers. If we want to know more about Contact's users, however, a model reflecting the blending of audiences and theatre makers' roles has yet to be developed. This thesis engages with Contact's users. It maps some of their multiple roles and experiences by asking two main questions: What are the practices of the people attending Contact and how can these practices be researched? A range of qualitative methods is necessary in order to investigate the wide variety of Contact's users' roles and experiences. Individual and group interviews are drawn from audience research, creative workshops are drawn from communication studies, and participant observation and visual research from the social sciences. Finally, a new method, Walking Fieldwork, is adapted for the use in theatre. A number of case studies are employed to investigate Contact's users. These case studies involve the observation of young actors during rehearsals and performances, the observation of participants in an outreach project, the investigation of audiences' experiences of two productions, and several short post-show interviews with general Contact audiences. This study found evidence that the relationship between theatre makers and audiences is changing. The term 'theatre user' is introduced as it opens up an area of overlap between the two and fits contemporary practices at Contact more closely. Contact's users function as communities, participants and co-creators. The descriptions of these roles and experiences contained in this thesis are understood as an initial exploration into practices of contemporary theatre users. However, further research is needed to build a more detailed understanding of these practices. In terms of research methods, this study found that the academic field of audience research needs to develop methods which are sensitive to both the backgrounds of theatre users and the theatrical context. The argument is put forward that audience research should become more aware of methods for the investigation of human experience and should enter into a 'methods-dialogue' with other academic fields of study.