Qualifying work has interdisciplinary charakter. This work is concentrate on knowledge of history and culture of age last members of Přemysl´s dynasty and the first members of Luxembourg´s dynasty. The primary aim of work is to identify the conditions under which there is courtly literature and minnesing on the courts of these rulers. Next aim is using the comparative method to define the basic topics in prose and poetry. The secondary aim is recognizing influence of German and Latin literature domestic and foreign on literature written in Czech. The work ?Minnesing and court literature at the court of last members of Přemysl's dynasty and the first members of Luxembourg's dynasty? deals with years 1283?1306 and 1310?1333 taking into account also past years.

The work is aimed at familiarizing the audience with the problems of water in the Czech Republic and its distribution within the landscape. However, its character, which approaches to documentary work, doesn´t explicitly describe the problem, but rather attempts to visualize it and give the viewer space for his own imagination. The work draws in contrast the examples of fine functional interventions in the landscape with examples of monstrous concrete structures - dams. It points to problematic places and tries to convey to the viewer the current issue not only in the chosen location. The main thing is the lyrical performance, which evokes not only a video but also the sound part and the narrative that explains the whole problem. The video is not purely informative, its specificity is also focused on the enjoyment of the viewer. He plays with documentary techniques but does not use them as a priority. The shots are deliberately chosen so that the concrete buildings look monumental and have their seriousness. The background of the shots also shows the time of their creation. This element is supposed to be critical and is supposed to be opposed to studies that use old plans to build new water reservoirs that do not give space for a more efficient solution. The work also touches on the overproduction and issues of today's modern agriculture.

The subject of this thesis is a characterisation of key motivic units in lyrical works of Jaroslav Vrchlický and Jiří Karásek ze Lvovic, thus it explores Czech parnassian and decadent poetry of the end of 19th century. It observes and traces literal, esthetical and thought shifts of both authors from the aspect of various motives usage. The thesis is divided into five chapters, each of them dealing with one specific motivic unit. The chapters are: 1. Motives of woman, body and sexuality. 2. Motives of dream, imaginary and escape. 3. Motives of dying, disease and decay. 4. Motives of depressiveness, grief, bitterness and vanity. 5. Motives of nature and landscape. Each chapter compares these motives, examines their usage by both authors and looks at how their form and expression undergo a process of certain changes. It also focuses on those motives that appear as completely new elements in their poetry. The conclusion provides with brief summaries of all chapters and a short look through frequency word dictionary of relevant volumes of poems.