The object of Master‘s graduation work is the morphology of M. Akelaitis‘ primer „Lementorius, arba pradžia moksło, sudėto mažiems wajkeliems“. Since M. Akelaitis‘ primer has not been studied from the viewpoint of linguistic, therefore the objective of this work is to register all parts of speech of in work, to reconstruct paradigms of declension and conjugation and compare them with the paradigms of common language. Thereby the morphology of „Lementorius, arba pradžia moksło, sudėto mažiems wajkeliems“ (1860) is discussed in this work. It is attempted in this work to refer to the usage of common language, all parts of speech, found in the collection of M. Akelaitis, are discussed basing on the morphological categories. The work consists of the introduction, where the topic of this work, the object and objectives are introduced, the research part, where life and works of M. Akelaitis, morphology of the work, i.e. each part of the speech (noun, adjective, numeral, pronoun, verb, participle, half-participle, verbal adverb, infinitive, adverb, particle, preposition, conjunction, interjections and onomatopoeic interjections) are discussed. The work finalized by the conclusions and table of authorities. The Master’s graduation work consists of 90 pages; there are 2 tables and 19 diagrams in this work. At the end of each section there are the conclusions of that section provided, which are illustrated using various informative charts and are summarized in the final conclusions... [to full text]

The research is an itinerary from the discovery of the force of Love in the Song of Songs, where the human figure is given entirely through aesthetics, right to the agony of the other's death, where ethics, the "Severe Name of Love", is the only guard left; a journey through the contradictions of human mind, that, though aiming at Good, Beauty, Happiness, is completely immersed into the darkness of its finiteness and into evil. The consciousness leads to the creation of a world whose essential prefiguration is the Beauty; whose fundamental expression is the Good. Ethics must translate itself in responsability towards the other, in the history. This immersion into reality preserves the aesthetic and ethic dimension from the temptation of absolutizing the finite. In this work, the proximity and divergence between the aesthetic and ethic dimension is analysed, with reference to significant moments of the philosophical reflection, namely in the thought of Ingarden, Tishner and Levinas.

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