Made available in DSpace on 2016-04-28T20:13:49Z (GMT). No. of bitstreams: 1 2008 - Eduardo de Almeida Menezes.pdf: 1223771 bytes, checksum: c2a565f416858e4034ac4dc6a9a5f104 (MD5) Previous issue date: 2008-01-22 / This work aims to identify the representations of countryside in songs classified as moda de viola . This type of music began to run on broadcast radio and recorded on discs at the beginning of the decade of 1930 and has always been associated with the rural way of life, more specifically the inhabitants of rural areas limited to the area of caipira culture, which includes parcels Southeast, Central West and Southern regions of Brazil. To observe the representations of the rural in these songs, it was necessary, firstly, set the moda de viola category and map the context in which it is embedded, noting the analysis and historical surveys on the subject, conducted by professionals from different areas. Based on the results obtained in this step has been proposed a methodology to analyze the letters the songs. The option to study this subject was see the letter of songs as literary pieces and use elements of the proposed methods for analysis of the literature Antonio C?ndido and Pierre Bourdieu. From this perspective were done surveys of social factors that can influence the compositions, namely the public, the trajectory of the composers and the context of production. Once seen these aspects was held reading of the songs and identification of representations of the countryside. / Este trabalho tem como objetivo identificar as representa??es do rural presentes nas m?sicas classificadas como moda de viola. Este tipo de m?sica passou a ser veiculado nas emissoras de r?dio e gravado em discos, no in?cio da d?cada de 1930, e sempre associado ao modo de vida rural, mais especificamente aos habitantes das ?reas rurais circunscritas ? ?rea da cultura caipira, que comporta parcelas das regi?es Sudeste, Centro-Oeste e Sul do Brasil. Para se observar as representa??es do rural nessas m?sicas, foi necess?rio, em primeiro lugar, definir a categoria moda de viola e mapear o contexto onde ela est? inserida, observando a an?lise e levantamentos hist?ricos sobre o tema, realizados por profissionais de diferentes ?reas. Com base nos resultados obtidos nessa etapa, foi proposta uma metodologia para an?lise das letras as m?sicas. Optou-se por tratar as modas de viola como pe?as liter?rias e utilizar elementos dos m?todos propostos para an?lise de literatura de Ant?nio C?ndido e Pierre Bourdieu. A partir desta perspectiva foram feitos levantamentos dos elementos sociais que podem influenciar as composi??es, a saber: o p?blico, a trajet?ria dos compositores e o contexto de produ??o. Uma vez observados esses aspectos, foi realizada a leitura das modas e a identifica??o das representa??es do rural.