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A Passage to OrganizationHolmgren Caicedo, Mikael January 2005 (has links)
<p>How does action turn [into a] substantive and, if it does, how does it turn into action again to perdure or even change?</p><p>In this endeavor I set out to study organizing and organization by asking myself how organizing becomes a product called organization and how that product turns into the very organizing whence it once was spawned. In other words, I set out to study what I denominate the movements between organizing and organization. To that end a play is put in motion in which actors act and make representations which are subsequently interpreted poetically and rhetorically. This in order to create a stage of evidence from which the movements between organizing and organization can be derived.</p><p>The imagination put forth consists of two movements, which I dub instantiation and concatenation. These I relate to the motions embodied by metaphor and metonymy and later conflate them into one and the same movement of organizing in the wor[l]d within which materials through their play against each other are gathered to create more or less stable products. These products may be called organizations.</p><p>In a way, this is an attempt to study the makings of organization by way of a passage into it.</p>
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A Passage to OrganizationHolmgren Caicedo, Mikael January 2005 (has links)
How does action turn [into a] substantive and, if it does, how does it turn into action again to perdure or even change? In this endeavor I set out to study organizing and organization by asking myself how organizing becomes a product called organization and how that product turns into the very organizing whence it once was spawned. In other words, I set out to study what I denominate the movements between organizing and organization. To that end a play is put in motion in which actors act and make representations which are subsequently interpreted poetically and rhetorically. This in order to create a stage of evidence from which the movements between organizing and organization can be derived. The imagination put forth consists of two movements, which I dub instantiation and concatenation. These I relate to the motions embodied by metaphor and metonymy and later conflate them into one and the same movement of organizing in the wor[l]d within which materials through their play against each other are gathered to create more or less stable products. These products may be called organizations. In a way, this is an attempt to study the makings of organization by way of a passage into it.
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