An object of this disertation is a tapestry and its join or integration in the interiorr of public building. A single text is separated into a few parts. Into theoretical a documentation to practical work and finally is added hooked illustration. Every part has its specificity and it deals with definite topic. History of worlďs and Czech tapestry short describes the first part, the theoretic. My effort here was dokument in more details historic and contemporary creation of both Czech manufactures conversant with tapestries. In the documentation to practical part I besides of interiorselection public building target the psychologically and colour incidence of given space. Another chapters then solves proportions, colourfull ness material and finally art, which will be the tapestry made an issue of previous thinking and treatise was an origin of final design tapestry in two variants of final fulfilment also in two possible techniques.The last chapter this part deal with suitable location of tapestry in the space of borehall. Final variant sof tapestry installed by the help of computer programme Photoshop we find in the last, also picture part.

Jaro Kučera and the Moravian Tapestry Manufacture Abstract The diploma thesis deals with the painter and textile designer Jaro Kučera (1885- 1950) who was a director of the Moravian Tapestry Manufacture in Valašské Meziříčí between 1922 and 1945. It focuses mainly on his designs, which he created for this institution, deposited in the Provencial Archives in Opava and on tapestries from Czech and Moravian collections, especially from the Valachian Regional Museum in Valašské Meziříčí and the Moravian Gallery in Brno. The main part of the thesis is an analysis of the phenomenon of the manufacture in Valašské Meziříčí from its establishment to the present.

The doctoral thesis is concentrated on housing as selected manner to convert the released textile factories. In the first part was attention given to history which confirmed the high recovery factor of Brno´s industrial past to reuse. Next part was focused on analysis of the XXth century forms of collective housing, especially the loft housing, to characterize the perspective habitation in selected factories. Finally was the contemporary housing observed through three specific aspects to aim the conversion of Brno´s textile factories.