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This study presents the results of an analysis of the archaeological ceramics recovered from Maya sites on the island of Cozumel, Quintana Roo, Mexico. The field work was conducted in 1972-1973 by the Harvard University-University of Arizona Cozumel Archaeological Project which had as it focus the investigation of several aspects of long distance trade in Postclassic Maya society. The objectives of the study were (1) to analyze, classify, and describe the Cozumel ceramic remains, (2) to further clarify the island's prehistory through interpretation of ceramic data and relationships, and (3) to evaluate the Cozumel Archaeological Project's port of trade model from the standpoint of the ceramic evidence. Chapter 1 provides background information on the setting, history, and archaeology of Cozumel and adjacent coastal areas and summarizes the Cozumel Archaeological Project's research design and field investigations. This is followed in Chapter 2 by a discussion of the techniques of ceramic analysis employed in the study, including a brief summary of the type-variety system of ceramic classification. Chapters 3 through 10 present detailed descriptions of the ceramic complexes, arranged chronologically. Each variety of each ceramic type is described, including paste characteristics, surface finish, decoration, form, and comparative data. The Cozumel ceramic record indicates settlement on the island from Late Preclassic (ca. 300 B.C.-A.D. 300) through Late Postclassic (ca. A.D. 1250-1500/1550) times. An overview of the prehistory of Cozumel is presented in Chapter eleven. Chapter twelve presents the results of an attribute analysis of slipped serving dishes and unslipped jars which was undertaken to test the port of trade model. The model hypothesizes that Cozumel underwent a shift from a decentralized port of trade in the Early Postclassic, characterized by heterogeneity in archaeological remains, to a centralized trading center in the Late Postclassic, characterized by homogeneity. While the attribute analysis demonstrated an increase in intersite similarity and ceramic homogeneity in the Late Postclassic, results for the Early Postclassic were inconclusive. Chapter fourteen briefly summarizes the study's results and conclusions. Although the port of trade model was not verified by the ceramic evidence, there is considerable evidence that Cozumel may have been the site of a Toltec trade outpost in Early Postclassic times.

The study of prehistoric Maya settlements has been hampered by simplistic views of cultural ecology, over generalized ethnographic analogy, and a lack of attention to both natural and cultural site formation processes. As a result, Mayanists have tended to expect very little variety in archaeological features and have assumed cultural uniformity over wide ranges of time and space. Traditional research designs support these assumptions. Current knowledge of Maya social organization suggests that more structural variety may occur in Maya archaeological sites than is ordinarily discovered. Some of this variation is evidenced by features not currently visible on the ground-surface. The Nohmul Settlement pattern project employed a "purposive" sampling design to search for settlement variation over time and space. Several assumptions about surface-subsurface relationships were tested. Surface indications were not found to outline subsurface variety. Excavating at intervals from site center in both visible and "invisible" features, showed that the Nohmul community was affected by both centralizing and decentralizing influences and grouped into residential clusters resembling neighborhoods. The degree of centralization and the location of the clusters, as well as some of their characteristics, changed notably over Nohmul's 2500 year occupation.

This dissertation is concerned with the role material culture played in transformation and/or retention of Maya authority, just prior to and after Spanish contact (A.D. 1100-1800s). The primary research data used to discuss this transition was derived from the author's analysis of precolumbian and colonial artifacts from the Ciudadela Structure (YUC 2) in Tíhoo/Mérida, Yucatán-an assemblage originally collected by John Goggin in 1956 and 1957 and currently housed at the University of Florida-Florida Museum of Natural History. As one of the last standing structures in the Maya site of Tíhoo, now buried beneath the Spanish capital city Mérida, the Ciudadela collection represents a rare glimpse into a significant, yet understudied, Type 1 archaeological site. Included in this project are a general examination of Maya studies in the Northwestern Yucatán Corridor and the results of my preliminary classification and viii discussion of materials represented in the YUC 2 assemblage. I t is important to note that as a part of this project, I created the first comprehensive catalogs for the YUC 2 Ciudadela collection, entitled FMNH YUC 2: Catalog of Artifacts, FMNH YUC 2: Ceramic Stylistic Catalog and FMNH YUC 2: Non-Ceramic Catalog. Results of the archaeological component of this study illustrated that there was little change in production of indigenous pottery after the fall of Mayapan (ca. A.D. 1441-1461), as inhabitants of precolumbian Tâihoo continued to use preexisting wares from their former capital, particularly those within the Mayapan Red Ware and Mayapan Unslipped Ware classifications, well into the Colonial period. In the Post-Colonial period, a significant change in wares occurred as native inhabitants incorporated foreign ceramic types into their society. / Ceramics from Spain, Italy, and England, and porcelains from China and Japan, combined with colonial Mexican Majolica and preexisting Mayapan wares, illustrate the interaction of native inhabitants with European immigrants and their import goods. Although the YUC 2 collection supported the transformation of material culture after Spanish contact, the Maya, through religious practices, militaristic resistance, and oral/written traditions, were able to retain significant aspects of their precolumbian power into the colonial era and beyond. / by Rhianna C. Rogers. / Thesis (Ph.D.)--Florida Atlantic University, 2010. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2010. Mode of access: World Wide Web.

The topic of my dissertation is the architectural symbolism of the Maya ballcourt. The typical Mesoamerican ballcourt is a sunken playing surface that is situated between two parallel mounds that form a cleft in the earth, resembling the cleft Mountain of Creation. In fact, the ballcourt was an architectural analog of the Mountain of Creation and they shared a number of associations. In Chapter 1 I discuss previous research on the ballgame pertinent to my arguments. Chapter 2 is an analysis of a particular ballgame between a bird and a deer that I interpret as metaphorical of the hunt, sacrifice, and the vision quest. Chapter 3 is a summary of the concept of the sacred mountain in various locations around the world with an emphasis on Central America. In Chapter 4 the discussion focuses on the pattern as it appears in its most complete form at Y axchilan. The connection between dance and the cleft in the Mountain of Creation is analyzed in Chapter 5. First Father and his importance regarding creation, the ballgame, and the ballcourt is the emphasis of Chapter 6. Elements of the pattern as they appear at Copan and Piedras Negras is the topic of Chapter 7. Within Chapter 8 I discuss elements of the pattern as they appear outside the Maya area at Teotihuacan, El Tajin, Tenochtitlan, and in various central Mexican codices. I conclude that the association between the ballcourt and the cleft Mountain of Creation, which began at the Olmec site of La Venta, permeated the cosmology of later civilizations, with the Maya serving as the prime example. Elements of this cosmo-political pattern were so widespread as to make it abundantly clear that this overall pattern served as the ideological foundation of Mesoamerican civilization from the time of the Olmec until the coming of the Spaniards. / text

Chultuns have served as a source of curious debate for most Maya archaeological projects. Although there is great speculation about the function(s) served by the chultuns, few theories are concrete. This study attempted to determine the specific use of chultuns as relevant to this particular site. During the 1989 field season at Caracol excavations were carried out in six chultuns. A team composed of one student and several workman were assigned to investigate each group. At least one test pit was placed within each group to search for other diagnostic material to compare with the artifacts recovered from the chultun. The data collected indicates that the chultuns of Caracol were primarily related to a burial function. However, the possibility cannot be ruled out that a different function was intended for these features and that they were only used as burial chambers when they were about to be abandoned. / Department of Anthropology

"This monograph adds important data on the development of Preclassic period ceramics in northern Belize."—American Antiquity"This book contributes to our understanding of early Maya society during an era that has only new been revealed."—The Chesopiean"Kosakowsky's book, produced in the clear, easy-to-read and well designed format . . . is a substantive contribution to Maya ceramic studies."—Journal of Latin American Studies

The unimpressive archaeological record of the last Mayan pre-Hispanic period has been traditionally interpreted as one of a society in decadence. However, archaeological remains evidencing stylistic homogenization across regions and documentary accounts written during the conquest describing thriving markets and entrepreneurial people have indicated to some a mercantile society linked by extensive networks of communication. Under the weaker political environment of this period, it is expected that a mercantile environment presented more competition and more ceramic producers. This research used petrographic analysis and XRD of the pottery of Mayapan the last Maya capital, to detect ceramic compositional groups, which research has associated with the number of pottery producers. The number of producers is usually taken as a reflection of the degree of competition. This research found multiple compositional groups and the use of fewer ceramic materials that nonetheless are technologically advantageous, suggesting a more competitive and pragmatic society. / by Carmen Giomar Sanchez Fortoul. / Thesis (M.A.)--Florida Atlantic University, 2009. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2009. Mode of access: World Wide Web.