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1	Über die abweichende Bedeutung der Ligaturen in der Mensuraltheorie der Zeit vor Johannes de Garlandia. Ein Beitrag zur Geschichte der altfranzösischen Tonschule des XII. Jahrhunderts Niemann, Walter, January 1901 (has links) Inaug.-Diss.--Leipzig.
2	École flamande (1450 à 1600) La mesure dans la notation proportionnelle et sa transcription moderne ... Tirabassi, Antonio, January 1927 (has links) Inaugural-Dissertation. / "Curriculum vitae": p. [68]-[69]
3	École flamande (1450 à 1600) La mesure dans la notation proportionnelle et sa transcription moderne ... Tirabassi, Antonio, January 1927 (has links) Inaugural-Dissertation. / "Curriculum vitae": p. [68]-[69]
4	Die mensuraltheorie des Franchinus Gafurius und der folgenden Zeit bis zur Mitte des 16. Jahrhunderts. I. Teil. / Praetorius, Ernst, January 1905 (has links) Inaugural-Dissertation--Berlin. / Quellenwerke: p. 2-8.
5	Mensur, Cantus firmus, Satz in den Caput-Messen von Dufay, Ockeghem und Obrecht Nowotny, Rudolf, January 1970 (has links) Thesis--Munich. / Includes indexes. Bibliographies: p. 186-192.
6	Temporal Organization in the Masses of Johannes Ockeghem Farina, Andrew J. 29 December 2014 (has links) No description available. Music Johannes Ockeghem mensural music mensuration Renaissance music music theory rhythm
7	A Study of Early Sixteenth-Century English Music Fragments from the DIAMM Database Hamilton, Elizabeth P.K. 27 September 2011 (has links) While the study of complete sources is very valuable, and has contributed greatly to what is understood of music history, the perspective they contribute is limited because they cannot reveal information about how music and music sources were most often used. The study of functional sources, more probably created for use, allows for more insight into how music was performed and understood, and how such sources were created, used and valued. This study examines twelve fragmentary early sixteenth-century English sources from the Digital Image Archive of Medieval Music (DIAMM) database, constituting a sample of functional music sources in this period. The study of this sampling reveals information about how functional manuscripts were created, used and valued in England during this time period. Some of the fragments contain works with concordances. These concordances are compared using variant comparison, where differences in the versions of the work are considered and weighed. The comparative study of concordances provides insight into the transmission of the versions, scribal and performance culture, as well as into music culture in general. Overall, the study of this sampling of early sixteenth-century functional English sources provides a clearer understanding of the use of accidentals, scribes and scribal culture, performers, performance practice and music culture in England at this time, contributing to the understanding of music history. DIAMM music manuscript sixteenth-century sixteenth century england fragment mensural functional performance practice scribe scribal practice period use musica ficta Digital Image Archive of Medieval Music secular sacred liturgical secular court concordance stemmatics accidentals
8	A Study of Early Sixteenth-Century English Music Fragments from the DIAMM Database Hamilton, Elizabeth P.K. 27 September 2011 (has links) While the study of complete sources is very valuable, and has contributed greatly to what is understood of music history, the perspective they contribute is limited because they cannot reveal information about how music and music sources were most often used. The study of functional sources, more probably created for use, allows for more insight into how music was performed and understood, and how such sources were created, used and valued. This study examines twelve fragmentary early sixteenth-century English sources from the Digital Image Archive of Medieval Music (DIAMM) database, constituting a sample of functional music sources in this period. The study of this sampling reveals information about how functional manuscripts were created, used and valued in England during this time period. Some of the fragments contain works with concordances. These concordances are compared using variant comparison, where differences in the versions of the work are considered and weighed. The comparative study of concordances provides insight into the transmission of the versions, scribal and performance culture, as well as into music culture in general. Overall, the study of this sampling of early sixteenth-century functional English sources provides a clearer understanding of the use of accidentals, scribes and scribal culture, performers, performance practice and music culture in England at this time, contributing to the understanding of music history. DIAMM music manuscript sixteenth-century sixteenth century england fragment mensural functional performance practice scribe scribal practice period use musica ficta Digital Image Archive of Medieval Music secular sacred liturgical secular court concordance stemmatics accidentals
9	A Study of Early Sixteenth-Century English Music Fragments from the DIAMM Database Hamilton, Elizabeth P.K. 27 September 2011 (has links) While the study of complete sources is very valuable, and has contributed greatly to what is understood of music history, the perspective they contribute is limited because they cannot reveal information about how music and music sources were most often used. The study of functional sources, more probably created for use, allows for more insight into how music was performed and understood, and how such sources were created, used and valued. This study examines twelve fragmentary early sixteenth-century English sources from the Digital Image Archive of Medieval Music (DIAMM) database, constituting a sample of functional music sources in this period. The study of this sampling reveals information about how functional manuscripts were created, used and valued in England during this time period. Some of the fragments contain works with concordances. These concordances are compared using variant comparison, where differences in the versions of the work are considered and weighed. The comparative study of concordances provides insight into the transmission of the versions, scribal and performance culture, as well as into music culture in general. Overall, the study of this sampling of early sixteenth-century functional English sources provides a clearer understanding of the use of accidentals, scribes and scribal culture, performers, performance practice and music culture in England at this time, contributing to the understanding of music history. DIAMM music manuscript sixteenth-century sixteenth century england fragment mensural functional performance practice scribe scribal practice period use musica ficta Digital Image Archive of Medieval Music secular sacred liturgical secular court concordance stemmatics accidentals
10	A Study of Early Sixteenth-Century English Music Fragments from the DIAMM Database Hamilton, Elizabeth P.K. January 2011 (has links) While the study of complete sources is very valuable, and has contributed greatly to what is understood of music history, the perspective they contribute is limited because they cannot reveal information about how music and music sources were most often used. The study of functional sources, more probably created for use, allows for more insight into how music was performed and understood, and how such sources were created, used and valued. This study examines twelve fragmentary early sixteenth-century English sources from the Digital Image Archive of Medieval Music (DIAMM) database, constituting a sample of functional music sources in this period. The study of this sampling reveals information about how functional manuscripts were created, used and valued in England during this time period. Some of the fragments contain works with concordances. These concordances are compared using variant comparison, where differences in the versions of the work are considered and weighed. The comparative study of concordances provides insight into the transmission of the versions, scribal and performance culture, as well as into music culture in general. Overall, the study of this sampling of early sixteenth-century functional English sources provides a clearer understanding of the use of accidentals, scribes and scribal culture, performers, performance practice and music culture in England at this time, contributing to the understanding of music history. DIAMM music manuscript sixteenth-century sixteenth century england fragment mensural functional performance practice scribe scribal practice period use musica ficta Digital Image Archive of Medieval Music secular sacred liturgical secular court concordance stemmatics accidentals

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