No description available.

No description available.

Thesis (doctoral)--Université Toulouse Le Mirail, 1998. / Cover title. Volume 2 consists of text of all 101 tales in French. Includes bibliographical references (v. 1, 227-229).

No description available.

There is no abstract available for this thesis.

Normal development of the urostyle is described during late stages of metamorphosis in five species of anurans: Xenopus laevis (Daudin), Bufo americanus Holbrook, Pseudacris triseriata (Wied), Hyla chrysoscelis Cope, and Rana pipiens Schreber.Tadpoles of these five species were reared in the laboratory, preserved in Bouin's fixative at various stages of metamorphosis (Gosner stages 34 to 44), and decalcified in 1% HC1 for 48 hours.A block of tissue containing the urotstyle was removed from the tadpole, embedded in paraffin, serially cross-sectioned, stained according to Mallory's trichromatic staining technique, and permanently mounted in Pro-Texx.The developing urostyle of all five species is composed of essentially the same cartilaginous elements: one pair of basidorsals above the notochord and' he hypochord below. Among the five species there is variation in such details as the number of spinal nerve foramina and the degree of fusion of the basidorsals; however, both the hypochord and basidorsals are quite similar in all five genera examined.The development of the urostyle as observed in this study provides insufficient basis for any conclusions about the phylogenetic trends in the five genera.The contradictory descriptions of the developing urostyle found in the literature appear to result from (1) varied methods of study (alizarin-staining of whole specimens or serial cross-sections), (2) the variety of species examined, and (3) the particular stage of development of the tadpole described by an investigator.

Typescript. / Bibliography: leaves 219-234. / x, 234 l illus

Proefschrift--Leiden. / "Samenvatting": p. 95-99. "Stellingen" ([2] p.) inserted. "Literature": p. 93-94.

Thesis (M.S.)--University of Wisconsin--Madison, 1971. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

For a long time, I have struggled with my origins, with my Korean-ness, with who I am. Whenever I finish a project, I often feel that there is still something that needs to be explained. In this thesis I attempt to explain precisely my ideas of design as these reflect my Korean-ness. Defining the city and its architecture as existing boundaries, I translate my Korean-ness and origins into an idea I call, metaphorically, "metamorphosis." This "metamorphosis" has to do with the way space is transformed from one thing into something else, as is the case when one walks from an airy Korean courtyard, in a traditional Korean house, into the house's shadowy interior. It is ambiguous, this metamorphic transformation, and for each individual visitor always a somewhat different experience, and sometimes a vastly different experience from that of anyone else, a familiarity with the unfamiliar nevertheless shaped by the uniquely personal prior life each visitor brings to the architectural space. / Master of Architecture