• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 9
  • Tagged with
  • 9
  • 9
  • 9
  • 9
  • 6
  • 4
  • 3
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 1
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

A Beautiful Belly: Toward An Intimate Cinema Through Microbudget Production Techniques

Gay, Andrew 01 January 2010 (has links)
A Beautiful Belly is a feature-length, microbudget, digital motion picture produced, written, and directed by Andrew Kenneth Gay in pursuit of the Master of Fine Arts in Film & Digital Media from the University of Central Florida. The guiding question behind the production of A Beautiful Belly was whether digital "no budget" production was particularly suited to the telling of a particular kind of cinematic story - the interior journey. The pursuit of an intimate cinema shaped every decision by the filmmaker and his collaborators, and this thesis is a record of their production experience.
2

Examining the Narcissism Trend in Generation Y Through Digital Narrative Film

Ingle, Joshua 01 January 2014 (has links)
This thesis presents an account of the making of 15 Minutes of Faye, a microbudget feature-length film created in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film and Digital Media at the University of Central Florida. It chronicles the motivation behind the creation of the film, the entire creation process, plans for its distribution, and reflections on lessons learned during the creation process. The film itself was designed to challenge its viewers with the gross self-absorption of its fame-seeking protagonist, in order to promote public discourse about Generation Y's sense of entitlement, which has been well-documented in academic literature. It is the author's hope that this document will promote awareness of the film's subject matter, and will also aid others seeking to create microbudget feature-length films.
3

Testament: Mastering and Transcending the Microbudget Model for a Feature Film

Ritter, Timothy 01 January 2015 (has links)
Testament is a feature film serving as part of Tim Ritter's thesis requirements for earning a Master of Fine Arts in the Entrepreneurial Digital Cinema program at the University of Central Florida. The film follows a bitter former follower of a marginally popular social-justice movement who must keep the movement alive after its mysterious leader is killed violently and publicly. The drama, set in an fictional land known as The Commonwealth, presents a modern-day retelling of the life of St. Peter in the years after the death of Jesus, creating a new context for familiar Biblical tales and morals while also examining the high personal costs of changing the world. Testament has been produced for well under $50,000 as part of the microbudget requirements of the UCF Film program. In creating an epic with minimal resources, innovation has filled the void left by most films' higher budgets, with the crew recycling a small number of locations to serve as several different locations and using a large cast sparingly to avoid becoming overly reliant on many actors who aren't getting paid. This document details the theories and methodology behind the preparation and planned production of the film, as well as the approach planned for its distribution.
4

The Decorruption: The Making Of A Political Satire

Garcia, Maria 01 January 2013 (has links)
The Decorruption is a feature-length fiction film directed by María García, made as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The film is a political satire, which tells the story of a country plagued by corruption, where a rebellious government employee discovers that death is the only solution to the problem, so she sets out on a killing spree against the corrupt. The film was produced on a microbudget (under $50,000) level, following the program’s guidelines. It was shot in Ecuador with non-professional actors and a minimalistic production style. This thesis is a record of the film’s progression from development to picture lock, in preparation for distribution.
5

Hope For A Thorn: The Making Of A Microbudget Digital Feature Film

Kitzinger, Leslie 01 January 2008 (has links)
This paper provides a look at the making of a microbudget feature film. It seeks to explain my growth as a filmmaker and an artist, through the challenges, both narrative and practical, that I encountered, as well as provide documentation following the process. Hope for a Thorn: The Making of a Microbudget Digital Feature Film includes elements from each phase of filmmaking, from script and preproduction to the marketing plan. This document shows the tremendous amount of preparation and planning that goes into the making of a microbudget digital feature film.
6

Blivits!

Sutter, Charles 01 January 2014 (has links)
Blivits! is a feature-length documentary produced, written, and directed by Charles Sutter in pursuit of the Master of Fine Arts in Film & Digital Media from the University of Central Florida. This thesis examines the ethical questions of making a documentary in the digital era. In accordance with the restrictions of the program's guidelines, this film was completed a budget of less than $50,000. The film was shot over 18 days, in various locations up and down the east coast of the United States. This thesis is the record of Blivits!'s journey through development until completion of picture lock.
7

A Blue Flower: The Development Of A Personal Documentary

Taranger, Nils 01 January 2012 (has links)
A Blue Flower is a feature-length documentary film by Nils Taranger, made as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The film focuses on the director’s journey to find healing, both physically and emotionally. Following the guidelines of UCF’s program, Nils produced the film on a microbudget (under $50,000) level. The majority of filming took place in Florida with only a one or two person crew. This thesis is a record of the film’s progression from development to picture lock, in preparation for distribution
8

Relapse: An Exploration of the Symbiotic Nature of Sponsorship in the Sober Community

Auger, Jack 01 January 2023 (has links) (PDF)
Relapse is a microbudget short film serving as part of the requirements for Jack Auger's Honors Undergraduate Thesis with a concentration in Film. The short film follows a man who has recently relapsed in his alcohol addiction and is struggling to find a way back into recovery. The drama is loosely based on Jack Auger's own struggle with addiction and recovery issues. Relapse has been produced for under $5,000 and was designed to be produced as simply as possible, using only three locations, a minimal lighting set up, and a short list of shots. A large part of the film is told through flashback sequences that allow for the audience to understand the symbiotic nature of people in Alcoholics Anonymous that help each other get sober and stay sober. Through the flashbacks, the audience is able to understand that the main character, James, is living in a relapse, but once was able to help others get sober. By the end of the film, one of the people he helped get sober, Elliott, returns to help him find a way back to recovery.
9

Finding Treasure: The Story of a Micro-budget Digital Film

Williamson, Christopher 01 January 2015 (has links)
Treasure is a feature-length narrative fictional film directed by Chris Williamson as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the School of Visual Arts and Design at the University of Central Florida. This thesis is a documentary record of the film production from concept to completion. In this thesis the concerns of authorship are explored from the perspective of the author as the executive producer, writer, and director of the film.

Page generated in 0.0278 seconds