The aim of this work is to map, capture and enlighten the contemporary phenomenon of travel and travelogue, and introduce it as a still alive and evolving literary genre. This is illustrated by the analysis of contemporary Czech periodicals, blogs, websites and several literary works of this nature. The work, based on this analysis, creates their genre typology. The results show that there is a retreat of lyrical and poetic type, while the current is a form of narrative and novelistic travelogue, in which a subjective description and personal tone predominates and the position of the author - narrator is strengthened. Contemporary literary production of travelogue genre is very broad and findings of this work describe the current status and trends, which tend to mix and combine genres, incorporating travelogue into fiction and enriching it with new elements through differentiation of ideas and interests of travelers. The educative extent of travelogue in contemporary works is often taken aback, or is thanks to fictionalization appropriately incorporated into the text.

The thesis deals with the era of the Czech literature in the second half of the 20th century. It focuses on the description of the humorous elements in selected literary works. The works are different in topics and genres too and in the end the works are reflected all together. The main literature sources are the analyzed titles and the book f essays called Silence and laughter by Sylvia Richterová. The first chapter presents an outline of the atmosphere of the 60s, the second chapter defines the topic and genre specifications of the works published in this decade. The third chapter is a methodological guide to comicality. Chapters four to seven analyze individual literary works in several basic points ? composition, language, characters and a description of the nature of the characters as well as the description of the theme.

The Master thesis has for its objective mapping of destiny of czech comunity in Paris from sixties to eighties. Its purpose is not to get a complete list of all artists, who came to Paris. It's just a sellection of those important persons, who broke through Paris. The personal interviews play an important part of the sources. The thesis is not structured in medallion-biography way, but it is lined up in a thematic way. Most of the artists handled in their new home country withe similar problems and situations. First theoretical part characterise the period, the environment, the czech-french relations and the general phenomena of emigration in the czech historical memory. In sixties the czech-french relations started to be reanimated and many french art critics visited Czechoslovakia and they wrote about czech art. Beside France, the czech emigration refuged in sixties largely to West Germany, United States of America, Canada, austrian Wien, Swiss and nordic countries. Individuals art centres were connected to others by friendships and artists visited themselves. Second and more extensive part of the thesis works with the oral and witten interviews. The respondent artists are Miloš Cvach, Roman Kameš, Karel Machálek-Zlín, Miloslav Moucha, Vladimír Škoda, Ivan Theimer and art historian Jana Claverie....