Focusing on Mirpuris and music in Bradford, this doctoral thesis offers an ethnomusicological dimension to continuing debates on multiculturalism in Britain, within the fields of anthropology, sociology and political science. I engage ethnographically with three spaces of Mirpuri music making – the mehfil, the street, and the festival – in order to develop a ground-level perspective on what it means to live in an increasingly diverse society. By paying close attention to intra-communal generational discourses and practices of music, a synchronic picture of multiculturalism is developed that takes into account local, national and transnational histories. I argue that discursive senses of belonging, articulated through and by music, offer alternative and more broadly inclusive insights into what it means to migrate to Britain, what it means to be born in Britain, and, ultimately, what it means to ‘be’ British. Drawing on theories of multiculturalism, music and migration, nationalism and segregation, my broad argument is that an ethnographic map of Mirpuri music making in Bradford provides a more contemporarily relevant picture of multicultural society than one drawn along racial, or religious, lines alone.